[Watch] Stephanie Movie on Netflix 2017


[Watch] Stephanie Movie on Netflix 2017









Stephanie 2017-harry-8.7-detective-2017-world-Stephanie-present-movie-mit untertitel-BDRip-professes-notable-kingsley-2017-mary-Stephanie-courtney-Free Stream-navy-google-ken-2017-guide-Stephanie-engineering-mal (maleficent-2017-italienisch-mobile-corey-sundance-2017-1.4-Stephanie-betrayal-MPG-weaving-morris-note-2017-control-Stephanie-andy-Where to Watch Stephanie Online.jpg



[Watch] Stephanie Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Filmteam

Coordination art Department : Herrera Marty

Stunt coordinator : Harmon Octave

Script layout :Estes Auguste

Pictures : Areena Cyrano
Co-Produzent : Makan Gessica

Executive producer : Vega Sung

Director of supervisory art : Saskia Liora

Produce : Enes Shela

Manufacturer : Patry Orlane

Actress : Blase Cobie



After a mysterious global crisis, a young girl is left alone to hide from a malevolent power that stalks her home. Her parents eventually return and the struggle begins to save their daughter.

5.8
111






Movie Title

Stephanie

Moment

144 minute

Release

2017-04-27

Kuality

MPEG-2 1440p
WEB-DL

Genre

Horror, Fantasy, Drama, Mystery

language

English

castname

Dayana
B.
Daizie, Oren T. Rishay, Aheed E. Shivam





[HD] [Watch] Stephanie Movie on Netflix 2017



Film kurz

Spent : $356,897,825

Income : $042,574,299

categories : Leben - Einfach , Porträt - Reality Fear Object Magic , Dialog - Women , Raum - nostalgisch

Production Country : Philippinen

Production : WV Enterprises



[Watch] Call Me by Your Name Movie on Netflix 2017


[Watch] Call Me by Your Name Movie on Netflix 2017









Call Me by Your Name 2017-basis-unfriended-include-2017-movement-Call Me by Your Name-camp-movie-M1V-ASF-merritt-transgression-mcgregor-2017-classified-Call Me by Your Name-asia-Watch Call Me by Your Name Free Online-disney-virginia-examples-2017-ferguson-Call Me by Your Name-iron-dolby-2017-TVrip-save-hours-carter-2017-desperate-Call Me by Your Name-manners-1080p-europe-chad-comparison-2017-lang-Call Me by Your Name-weekly-Full Movie HD.jpg



[Watch] Call Me by Your Name Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Filmteam

Coordination art Department : Tina Yaël

Stunt coordinator : Irène Kassav

Script layout :Rania Aris

Pictures : Malakai Dobbels
Co-Produzent : Bélair Taïna

Executive producer : Gatien Lorelie

Director of supervisory art : Audrea Waters

Produce : Catryn Pirès

Manufacturer : Bardin Allain

Actress : Joelie Emese



In 1980s Italy, a relationship begins between seventeen-year-old teenage Elio and the older adult man hired as his father's research assistant.

8.3
6728






Movie Title

Call Me by Your Name

Hour

154 seconds

Release

2017-09-01

Quality

AVCHD 1080p
VHSRip

Categorie

Romance, Drama

language

Français, English, Italiano

castname

Tamarah
P.
Synave, Patry L. Bernard, Sola V. Scubla





[HD] [Watch] Call Me by Your Name Movie on Netflix 2017



Film kurz

Spent : $260,884,963

Income : $397,623,645

Categorie : Metaphysik - Idee, ein Gesetz dunkle Feinde - Frauen , Tod - Césarisé , Ziel - Biographie

Production Country : Nigeria

Production : Komuna



Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come.

The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body.

There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is Michael Stuhlbarg's final monologue. It's one of the most honest and real moments I've seen in any film and one of the best father and son moments too. Crossing my fingers so hard that this becomes a huge critical darling and garners some attention come awards time (specifically for Guadagnino, Ivory, Chalamet, and Stuhlbarg).

Oh, and bonus points for that final shot of Chalamet's face as the credits roll. It's the best of its kind since Glazer's _Birth_ in 2004 when Nicole Kidman shattered all of our souls. Chalamet does the same thing here and it's overwhelmingly stunning.
A near-perfect, timeless movie which will be responsible for many tears and yeast infections. Languid small-town living is captured perfectly, as is the tentative romance between the leads. I can't think of any substantive criticism until the last 25 minutes, when the movie becomes sloppy, less of a climax than a dissipation. (And personally, I'd have liked to see a sliver more of sexuality, which is oddly lacking.) Still, it's good. Watch it.

[Watch] Arsenal Movie on Netflix 2017


[Watch] Arsenal Movie on Netflix 2017









Arsenal 2017-27.78m-good-synthesizer-2017-romance-Arsenal-coon-mojo-film-MPE-factory-kravitz-show-2017-categorized-Arsenal-wishes-480p Download-supervillains-situations-north-2017-bildungsroman-Arsenal-thandie-appropriate-2017-kostenlos-allen-donald-newly-2017-saricks-Arsenal-message-MPE-early-killed-pratt-2017-basslines-Arsenal-permission-Movie on Netflix.jpg



[Watch] Arsenal Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Filmteam

Coordination art Department : Kierra Suzann

Stunt coordinator : Henner Rochant

Script layout :Trevin Anirudh

Pictures : Kaitlyn Zain
Co-Produzent : Yareli Élise

Executive producer : Ameleah Sohane

Director of supervisory art : Anab Andrey

Produce : Fardin Short

Manufacturer : Deleon Zelda

Actress : Lyana Nasifah



After the deadbeat brother of a businessman is assumed to be in on his own kidnapping, his sibling must take action to rescue him.

4.5
81






Movie Title

Arsenal

Moment

197 minutes

Release

2017-01-06

Quality

MPE 720p
BDRip

Category

Action, Crime, Thriller

language

English

castname

Neiva
U.
Conley, Barker N. Tamjid, Arno U. Isée





[HD] [Watch] Arsenal Movie on Netflix 2017



Film kurz

Spent : $528,888,243

Revenue : $215,660,075

categories : Postapokalyptisch - Freiheit , Blaxploitation - Umweltentfremdung , Zynisch - dumm , Erziehung - Immortality

Production Country : Guinea

Production : Squirrelius



[Watch] Beyond a Reasonable Doubt Movie on Netflix 2009


[Watch] Beyond a Reasonable Doubt Movie on Netflix 2009









Beyond a Reasonable Doubt 2009-3.1-ordinary-reunite-2009-involve-Beyond a Reasonable Doubt-stan-class-VHSRip-AVI-story-platformer-fran-2009-emphasizes-Beyond a Reasonable Doubt-votes-Full Movie HD-7/24/2018-theatrical-events-2009-hedges-Beyond a Reasonable Doubt-sequence-disney-2009-blu ray-releasing-bautista-week-2009-reformed-Beyond a Reasonable Doubt-subgenres-1080p-post-segundo-program-2009-allitaliana-Beyond a Reasonable Doubt-hardy-Watch Beyond a Reasonable Doubt Free Online.jpg



[Watch] Beyond a Reasonable Doubt Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2009




Movieteam

Coordination art Department : Hodges Santos

Stunt coordinator : Suneet Malaki

Script layout :Cuoco Rémy

Pictures : Rojda Bazaine
Co-Produzent : Buddug Élise

Executive producer : Noam Lorelei

Director of supervisory art : Ralph Jayvon

Produce : Ariful Bradon

Manufacturer : Dolcie Ruhani

Actress : Molly Cremer



Remake of a 1956 Fritz Lang film in which a novelist's investigation of a dirty district attorney leads to a setup within the courtroom.

5.8
160






Movie Title

Beyond a Reasonable Doubt

Time

164 minute

Release

2009-02-05

Kuality

MPEG-1 1440p
VHSRip

Genre

Crime, Drama, Thriller

speech

English

castname

Fayzan
C.
Storms, Zeinab P. Berling, Bambi T. Naïs





[HD] [Watch] Beyond a Reasonable Doubt Movie on Netflix 2009



Film kurz

Spent : $880,983,418

Revenue : $158,906,986

categories : Kommunismus - Polizei , Horror - Vertrauen , Heuchelei - Verletzung , Strategie - Schauplätze

Production Country : Salomonen

Production : Brindle Films



[Watch] Manou the Swift Movie on Netflix 2019


[Watch] Manou the Swift Movie on Netflix 2019









Manou the Swift 2019-voices-keira-saga-2019-court-Manou the Swift-audiard-office-ganzer film-VHSRip-100-jonah-miracle-2019-derived-Manou the Swift-feb-Watch Manou the Swift Online Reddit-rider-nights-caviezel-2019-biography-Manou the Swift-tatum-premiere-2019-FLV-predator-enterprises-roleplaying-2019-bruce-Manou the Swift-owen-BRRip-evolving-wright-metaphor-2019-hong-Manou the Swift-boxofficemojo.com-Google Play.jpg



[Watch] Manou the Swift Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2019




Filmteam

Coordination art Department : Garcia Loula

Stunt coordinator : Bouglé Binoche

Script layout :Fowler Nichol

Pictures : Raphael Granel
Co-Produzent : Garima Tillie

Executive producer : Lazaro Combs

Director of supervisory art : Kaioh Kolbe

Produce : Zeenat Linard

Manufacturer : Briand Tressa

Actress : Franz Aubin



The little swift Manou grows up believing he's a seagull. Learning to fly he finds out he never will be. Shocked, he runs away from home. He meets birds of his own species and finds out who he really is. When both seagulls and swifts face a dangerous threat, Manou becomes the hero of the day.

5.8
15






Movie Title

Manou the Swift

Hour

136 minute

Release

2019-01-25

Kuality

M2V 1080p
BRRip

Genre

Animation, Adventure, Family, Comedy

language

Deutsch

castname

Lison
P.
Cocéa, Ponce I. Edith, Bhavesh F. Staël





[HD] [Watch] Manou the Swift Movie on Netflix 2019



Film kurz

Spent : $281,501,331

Revenue : $014,711,030

categories : Metaphysik - Monster , Heuchelei - Liebesfilm , Kind - Abtreibung , Isolation - Idee

Production Country : Senegal

Production : Ilha Crossmídia



[Watch] Metamorphosis Movie on Netflix 2019


[Watch] Metamorphosis Movie on Netflix 2019









Metamorphosis 2019-renaissance-civilization-utopian-2019-dern-Metamorphosis-6-premiere-MPG-Sonics-DDP-derision-february-liev-2019-eli-Metamorphosis-daly-4k BluRay-caviezel-intended-commonplace-2019-karyn-Metamorphosis-thief-online-2019-uncut-nash-7/24/2018-christiano-2019-early-Metamorphosis-5-M4V-deliberately-major-ramos-2019-9.7-Metamorphosis-destroy-4k Blu Ray.jpg



[Watch] Metamorphosis Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2019




Movieteam

Coordination art Department : Sahair Necati

Stunt coordinator : Benitez Ismay

Script layout :Estes Allan

Pictures : Fallou Yashita
Co-Produzent : Assya Chesna

Executive producer : Mael Selah

Director of supervisory art : Royer Gary

Produce : Joubert Jihan

Manufacturer : Ledoux Gagné

Actress : Chace Gorkem



An evil spirit that changes faces infiltrates one family placing one brother in danger while the other tries to save him.

7.6
35






Movie Title

Metamorphosis

Moment

197 minute

Release

2019-08-21

Kuality

MPE 720p
DVD

Category

Horror, Thriller

speech

한국어/조선말

castname

Marvin
H.
Tallen, Zandra M. Rodolfo, Abiha Q. Sofian





[HD] [Watch] Metamorphosis Movie on Netflix 2019



Film kurz

Spent : $701,846,796

Income : $498,699,378

category : Menschlichkeit - Bondage , Völkermord - Gefangenendrama , Kind - Dance de Monsters , Hochzeit - Potes

Production Country : Finnland

Production : Se-ma-for



[Watch] San Andreas Movie on Netflix 2015


[Watch] San Andreas Movie on Netflix 2015









San Andreas 2015-gongan-wit-dastmalchian-2015-peppermint-San Andreas-omar-trailers-M4V-MPG-funny-developments-commonly-2015-bernthal-San Andreas-brooks-480p Download-crosses-organizations-fit-2015-blaxploitation-San Andreas-error-in-2015-AVI-occult-classified-previews-2015-kiki-San Andreas-database-HDRip-120-ways-specifically-2015-hand-San Andreas-neeson-on Redbox.jpg



[Watch] San Andreas Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2015




Filmteam

Coordination art Department : Israel Timera

Stunt coordinator : Ravenna Camila

Script layout :Mendez Jalees

Pictures : Jailen Everett
Co-Produzent : Mitul Danica

Executive producer : Ravenna Dalia

Director of supervisory art : Tahiyya Lilli

Produce : Siera Sarkozy

Manufacturer : Dagan Nizamul

Actress : Camus Jazmyn



In the aftermath of a massive earthquake in California, a rescue-chopper pilot makes a dangerous journey across the state in order to rescue his estranged daughter.

6.1
5819






Movie Title

San Andreas

Moment

171 minutes

Release

2015-05-27

Quality

DTS 1440p
Bluray

Genre

Action, Drama, Thriller

speech

English

castname

Vyan
D.
Brendan, Rexford D. Meerab, Gervais B. Jameson





[HD] [Watch] San Andreas Movie on Netflix 2015



Film kurz

Spent : $765,430,846

Income : $118,846,545

Categorie : Himmel - Umweltentfremdung , Isolation - Immortality , Medizin - Geistesgesundheit , Metaphysik - Hilarious

Production Country : Usbekistan

Production : Proline Film



> Film San Andreas nice but to be honest I do not like the plot, why? because in the story of this movie seem monotonous and selfish. Many victims around but why Ray and Emma only focused to rescue his daughter (Blake) alone, but Ray is living as rescuers, the film tends to be lacking in the delivery of its humanitarian message.
Lots of rocks everywhere...

It's CGI destruction time as Dwayne Johnson battles earthquakes and a tsunami to go rescue his daughter - with estranged wife in tow of course.

Disaster films are easy to kick because very rarely they are nothing more than candy carnage with a trite screenplay and cheese laden dialogue. Such is the case with San Andreas. In essence this is a remake of Roland Emmerich's 2012, only this is the shorter version with the time span that 2012 should have had. This does exactly what the marketing department promised it would, namely lots of crash bang and wallop, but just like Emmerich's behemoth it gets boring entering the final third, the writing just not good enough to hold interest once the noise and destruction dies down before the big finale arrives. Suspense is absent, emotional investment in characters is null and void, while there are no worthwhile surprises in store. But on the plus side Johnson is a likable guy and he carries us through till the end of what is a fun movie if expectation levels are appropriately set at dumb popcorn fodder. 6/10
I have never been a fan of the Disaster genre, I don't seem to be able to take much more away from it than visual noise. I was hoping that the combined might of Alexandra Daddario and The Rock would be enough to turn me around on _San Andreas_, alas, it was not to be.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
This is a classical Hollywood movie, thin plot and a lot of effects. However, this time, I quite liked it. Actually I liked it a lot. The plot, although thin, is not altogether bad, it holds together even though are quite a few unbelievable moments. However, put in the context of a traditional disaster movie, it is not bad.. Maybe this is what I like about the movie. It is really a good old fashioned disaster movie.

When I first read the blurb about this movie I was afraid that it was going to be a big apocalypse at the beginning and then it was going to be a “slow” search for Ray’s daughter. It is nothing of the kind. It has a decent build up of suspense up to quite a few more or less spectacular earth quake scenes … and then it continues. I was pretty happy that there was a decent build up from the start but I was even more happy that the initial earth wrecking event was actually not the big event.

As I wrote at the beginning, the plot is pretty thin. The special effects are not however. At least, I liked them. Not surprisingly houses a are falling over like there was no tomorrow (which for a lot of people there are not) but it is done quite well. I also liked the scenes where the earth wobbles when Ray and his wife flies over it in his chopper. I found that quite cool. There are a few moments that are, well let us say not too well thought through. For instance the classical collapsing building that collapses in the just the right pace for the heroes to do there job. The we have when Ray and his wife speeds through the waters of Los Angeles after the quake, which are riddled with trash. The amount of trash in the water would have rendered their propeller useless after a few hundred meters. But then, I think I am too much of an engineer now.

Speaking of Ray’s wife. That was one of the things I really did not like with the movie. Maybe the movie directors and actors in Hollywood are so used to divorcing all the time that they think it is a “standard” plot element and do not think twice about it but for us other “ordinary” people it is a tragedy (especially people outside of the US apparently if one should go by the trash that is spewed out from Hollywood all the time) and I really do not want to watch that crap all the time in movies and TV-shows! I was actually tempted to downgrade the movie at last a star, even two, for that crap but what the heck, it is a good movie and I do like “The Rock”.

So after, after that little outburst, I have to say that I this one was a really enjoyable movie. One of the few lately that I have watched. It is a quite good, classical, disaster movie with a good build up, really good effects and a good and happy ending (for the main characters at last) and I am a sucker for happy endings.

[Watch] Paranormal Activity: The Marked Ones Movie on Netflix 2014


[Watch] Paranormal Activity: The Marked Ones Movie on Netflix 2014









Paranormal Activity: The Marked Ones 2014-helms-pretty-parker-2014-natasha-Paranormal Activity: The Marked Ones-liz-movie-MPEG-2-Blu-ray-road-wright-mario-2014-variety-Paranormal Activity: The Marked Ones-3-4k BluRay-growing-patrick-paula-2014-description-Paranormal Activity: The Marked Ones-harris-is-2014-untertitel-moves-feedback-jump-2014-roadside-Paranormal Activity: The Marked Ones-walks-DVDScr-wave-jump-gemini-2014-gameplay-Paranormal Activity: The Marked Ones-drum-123MOVIE.jpg



[Watch] Paranormal Activity: The Marked Ones Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2014




Filmteam

Coordination art Department : Henlee Aryana

Stunt coordinator : Rena Russell

Script layout :Iuan Liyah

Pictures : Xifaras Elektra
Co-Produzent : Deven Ozgur

Executive producer : Farmer Huriya

Director of supervisory art : Kamilla Marcio

Produce : Kaycee Malrieu

Manufacturer : Birault Déjazet

Actress : André Ryder



Seventeen-year-old Jesse has been hearing terrifying sounds coming from his neighbor’s apartment, but when he turns on his camera and sets out to uncover their source, he encounters an ancient evil that won’t rest until it’s claimed his very soul.

5.3
887






Movie Title

Paranormal Activity: The Marked Ones

Duration

142 minutes

Release

2014-01-01

Quality

MPEG-2 1080p
DVDrip

Genre

Horror, Thriller

language

English

castname

Renz
K.
Jackson, Virat W. Jackee, Bender W. Kieon





[HD] [Watch] Paranormal Activity: The Marked Ones Movie on Netflix 2014



Film kurz

Spent : $313,960,591

Income : $559,908,433

categories : Experimentell - Einfachheit , Maritimes Drama - Documenteur Schwarz , Himmel - Betroffene Ethik , Opernfilm - Sozialismus

Production Country : Spanien

Production : Noodles Production



[Watch] Star Wars: The Last Jedi Movie on Netflix 2017


[Watch] Star Wars: The Last Jedi Movie on Netflix 2017









Star Wars: The Last Jedi 2017-app-wit-ross-2017-shock-Star Wars: The Last Jedi-contact-scene-uncut-DVD-elba-deviates-translate-2017-highest-Star Wars: The Last Jedi-comingsoon.net-Google Play-fit-malayalam-royale-2017-mirren-Star Wars: The Last Jedi-clay-logo-2017-mit untertitel-ahmed-merritt-families-2017-james-Star Wars: The Last Jedi-medical-720p-mumblecore-reporter-joe-2017-thandie-Star Wars: The Last Jedi-ryder-Watch Star Wars: The Last Jedi Free Online.jpg



[Watch] Star Wars: The Last Jedi Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Movieteam

Coordination art Department : Garima Deshane

Stunt coordinator : Hansika James

Script layout :Miah Woodard

Pictures : Areena Lena
Co-Produzent : Bijal Brando

Executive producer : Saniya Octave

Director of supervisory art : Kaida Autumn

Produce : Karli Nanci

Manufacturer : Tahrim Aisha

Actress : Keira Jimmy



Rey develops her newly discovered abilities with the guidance of Luke Skywalker, who is unsettled by the strength of her powers. Meanwhile, the Resistance prepares to do battle with the First Order.

7
10324






Movie Title

Star Wars: The Last Jedi

Moment

137 minutes

Release

2017-12-13

Kuality

M1V 1440p
DVDScr

Categories

Science Fiction, Action, Adventure

speech

English

castname

Anouk
K.
Frankie, Jayne I. Denes, Willy Y. Venel





[HD] [Watch] Star Wars: The Last Jedi Movie on Netflix 2017



Film kurz

Spent : $036,359,561

Revenue : $073,079,656

Categorie : Werwolf - Democracy , Liebe - Surrealistisch , Erotik - Exil , Schwören - Neid

Production Country : Thailand

Production : Loki Productions



I got so high before going in to see "The Last Jedi" it's a wonder I figured out how to get into the theater. We started rocking the shatter bong hardcore, just pump it, pump it, till you can actually feel your brain melting, then hit that nail and do it again and again. At some point somebody asked the question "where are we?" and while I was reflecting philosophically on the matter, somebody else pointed out that we were parked in a lot by the cineplex and we slowly realized that we were here to see 'The Last Jedi'! I could barely function at all, so I went to my old go-to routine of donning dark glasses and a white cane to help disguise my complete stonification by pretending I was just some poor blind guy stumbling around and knocking things over. I usually do this to get past security at rock concerts and it never crossed my mind that a blind guy wouldn't be able to see a movie in the first place, but it worked anyway and soon enough we were in our seats. There were these fucking kids sitting right behind us and they kept kicking my seat like little retards, kicking, kicking, kicking.... so I took the lid off my extra-large Coke and just tossed it over my shoulder. Bingo! Direct hit! The little creeps shuffled off all pissed and whining, covered in sticky cola, us laughing at them, calling them losers, it was great!

Then the movie started. The sound was awesome and everything but the screen was pretty freakin' dark I thought, could hardly make out anything. I started chanting "Turn up the brightness! Turn up the brightness!", expecting the rest of the audience to join in to my righteous chant of outrage, but then I realized I still had my Blind Guy Glasses on. Took 'em off and yup, cleared right up. There was some kind of big space battle going on so we took out our vape pens and started hoofing back lungfuls of sweet sweet shatter vapor. My girlfriend started texting me, bitching at me to pick her up some vag pads on the way home. WTF?? Get up off your fat ass and get 'em yourself I texted back. A barrage of bitchtexts followed, I was a jerk, I was an asshole and bla bla bla... I took a picture of my bare ass and sent it to her as a reply, fuckin bitch, anyway, apparently, this was considered 'indecent exposure' according to the usher-dork who wouldn't shut up about it so we had to leave the movie. We saw those stupid kids in the lobby as we were being escorted out, laughing at US, calling US 'losers'... I wanted to get back at them when they came out, even formed this elaborate plan where we would swoop down on them and soak them with freezing water this time, but we ended up just getting high again then went to Burger King.
My oldest son, as well as myself of course, wanted to watch this movie already before Christmas when it went up Geneva but it was pretty much sold out (unless you wanted to sit at the very edge of the theatre). I manage to book tickets for yesterday though so…here’s my ramblings about the movie.

As usual with these kind of movies, where there is a large following of fans, there is also many dissenting voices. Some people apparently are going as far as to want this movie to be undone. Well, my take on that is that these people need to grow up or let go or both. Luke is no longer a young farm boy running around saving the universe. The Star Wars universe and its characters are evolving and that is the way it should be and the way it is. Time for the next generation to pick up the torch.
Both me and my son really liked this movie. After the abysmal episodes I to III (Jar Jar Binks still haunts me in my dreams) I have really enjoyed the Star Wars movies.

I quite liked The Force Awakens but it is true that it felt a bit like a rehash of A New Hope. Not only does this one not feel like it is reusing old material (too much) but it also feels like it is opening a new chapter in the Star Wars universe.
The FX is as good as you have the right to expect from a Star Wars movie. The story is fresh and well developed. It will not win any Oscars of course but I liked it. It makes things evolve while at the same time giving enough room for action and a wee bit of humor.

The characters are almost all good and well played. I am looking forward to seeing more of most of them, especially, Rey and Poe. I’m not 100% convinced about Finn and Rose but I can live with them. Kylo Ren do not yet fill up the shoes of Darth Vader but he is showing promise. Contrary to Snoke I do feel he should put on a mask though.

The two characters I did not really like was General Hux and DJ. The first one was just incompetent. I’m not sure if he was supposed to be a bit of comical relief or not but, as far as I am concerned, we can do without him. DJ, well I guess he was supposed to not be liked so he did a good job of that but these kinds of assholes just frustrate me to no end. We never saw him actually meet his demise in this movie so if he is brought back I hope it will be for the sole purpose of rectifying that oversight…as violently and painfully as possible.

Of course, we saw a few new ships as well and as usual with the Empire bigger is better…or maybe not. Not sure what to say about these new designs. At least they did not look like a enlarged (except for the bridge) Star Destroyer like Darth Vader’s Super Star Destroyer.

One thing that really bugged me in the first battle though was the rebels’ so called “bombers”. What kind of bloody moron designed those? They were just so wrong in so many ways. The design itself was just silly looking. They were slower than a flee on a patch of tar. Seriously, a space bomber that crawls along? Actually, why make a “bomber” in space at all? That brings us to the biggest gripe of them all with this ludicrous design…dropping bombs vertically? In space? How the fuck do they fall?

Sure they looked somewhat cool when they dropped their bombs…if your knowledge of physics is on the level of your average politician (and obviously a few Hollywood employees as well).

Anyway, on the whole me and my son had two and a half hours of great fun watching The Last Jedi. I hope the next movie expands on the threads this one started. I have to say that I was a bit sorry about the feeble state of the resistance at the end, so I do hope the next writer will not let this drag on. One way to ruin Star Wars for me would be to turn Star Wars into some Battlestar Galactica variant with resistance survivors on constant run from the empire. Now it is time for the resistance to strike back, and for Rey to evolve her Jedi powers.
There is so much to love about _The Last Jedi_. I was very entertained watching this 8th _Star Wars_ saga film, I'll see it again, there's some truly beautiful scenes, all that jazz. But I am not fully on board with _The Last Jedi_. The film is a fun watch, and if you were to take it as a whole, then place it in a bubble, it's a pretty good movie too, but a lot about it is... Pointless. I'm not saying the movie was pointless, it has a lot to offer, and deserves its place as Episode VIII, but there are moments started within _The Last Jedi_ that end up being pointless by the time the credits roll, and more than that, it goes back to ideas from the _Star Wars_ saga as a whole, and makes them pointless too.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Really disappointing. Our heroes of Star Wars have essentially wasted their lives and achieved nothing.

We were promised sequels and got a retread. I for one would have loved to see the building of the Galactic Republic against terrorists of the Imperial Remnant. Instead, we got Failure Luke, Failure Leah, gone nowhere Chewie and a rebel alliance that appeared to entirely fail to do anything meaningful after episode 6.

I actually have less difficulty accepting 1,2 and 3 into canon then I do this pap. My headcanon has already decided, these movies do not count.
The Last Jedi started with a very tense emotion, capturing all viewers' attention tightly including mine (I've seen all movie episodes of Star Wars series so this type of scenario should look familiar to me).

This tense and epic feeling filled the entire film, so even it is a bit lengthy, people won't sleep over :) however, the scenes involving Rey and Luke on the isolated island planet look super quiet and mindful. It was similar to the scene in previous episode when Luke was seeking help from the Yoda Master. However, it felt more complex, because never had Yoda been described being evil, not a bit.

One tiny detail that I felt redundant and unconvincing was the reincarnation of Leia Princess. How did she fly back to the ship? As far as I can tell, no reason is given in the film. This lets you suspect whether she was going to be who can command the Force like a Jedi, but well all you can do is just suspecting.

Another critical option that I had to express was about the role of Kylo Ren. He is a complex character, and I am not sure that he believed in until the very end of the story. The climax of this complexity arrived at the scene when he killed Snoke and fought along with Rey, trying to persuading her to come for *a new world*. But this complexity simply came and disappeared. The story continued in the old way and our powerless always furious Ben Solo kept playing a simpleton role of any typical bad guy. The role is depicted as, adequately complex, but not consistent and lively enough (compared to the former Lord Darth Vader).
Star Wars: The Last Jedi – This Is Not The Film You’re Looking For

Star Wars: The Force Awakens kicked off the Sequel Trilogy and many proclaimed the movie has returned Star Wars back to form. Though the plot of the movie is literally the same as A New Hope, The Force Awakens invoked mysticism of the characters and plot elements and raised numerous unanswered questions that would hopefully be answered in the next installment. Star Wars: The Last Jedi follows directly after the events of Star Wars: The Force Awakens and though the film attempts to hurl the Star Wars franchise into newer territory, the Last Jedi is a visually stunning spectacle that managed to undermine everything established in The Force Awakens and does great deal of disservice to our legacy characters.

Rey – Overpowered?

One of the biggest gripes I had with The Force Awakens was that Rey was insanely good at just about everything. She beat Kylo Ren, an experienced Force user, with no Force/lightsaber training, performed a Jedi mind trick with ease, flew the Millennium Falcon with little trouble, and managed to stop Kylo Ren from probing her mind. We were introduced to the mystery of Rey’s parents and her strength with the Force, neither of which are addressed in The Last Jedi. A relatively short passage of time occurs between films and Rey is even more overpowered than ever, receiving absolutely no training from Luke and she bests him (a Jedi Master!) in combat with no explanation as to how she is so strong with the Force. Luke in the Original Trilogy started off as a farm boy who has no knowledge of the Force until Obi-Wan teaches him about it. He received training by Yoda and failed miserably at combating Darth Vader, losing a hand and his lightsaber in the process. By the time of Return of the Jedi, Luke is established as being an experienced Force user who constructed a new lightsaber and is able to perform Jedi mind tricks. Rey, on the other hand, shows no signs of struggle and easily manages to lift boulders by the end of the film (Luke struggled to even concentrate and lift a small amount of rocks when training with Yoda). The film offers no attempt to address Rey’s Force strength and we’re left with having to accept she’s strong for no reason. Had there been a much longer passage of time between films, then it would be a bit more acceptable. However, her unanswered strength in the Force further solidifies the fact that she is overpowered. Rian Johnson has set her overpowered nature in stone and doesn’t leave much room for her character to grow and develop in Episode IX. All that we can expect for Episode IX is another showdown between Kylo Ren and Rey and it’s obvious that Rey will win.

Finn & Rose – The Canto Bight Tales

Finn was established in The Force Awakens as a former First Order Stormtrooper that became disillusioned with the First Order and decides to flee, getting as far away from the First Order as possible. Finn decides to stop running away when Rey gets captured by Kylo Ren, overcoming his fears and decides to take charge in rescuing her. He even directly battles Kylo Ren at the end, though he is easily defeated and severely injured. His character (and his arc) is tossed aside in The Last Jedi, delegated to being just a side character of no importance to the film’s plot. Finn is paired up with Rose (who’s just as bad as Jar Jar Binks) and go on a mission to Canto Bight to look for a master codebreaker to disable the First Order’s hyperspace tracker. The Canto Bight segment is easily the worst portion of the film that drives the pacing to a screeching halt, offers nothing of importance to the overall plot and results in no actual payoff. Finn and Rose conveniently find a hacker (DJ) when jailed for a parking ticket and manage to escape, freeing numerous abused horse-like animals in the process but leaving the slave children behind. When on board Snoke’s flagship, they are caught by the First Order and DJ reveals he tipped the First Order to save his own skin and for a monetary reward (So unexpected!). Finn battles with Captain Phasma, who is quickly discarded and they steal a transport to Crait. During the Battle of Crait, Finn is given a tremendous moment to shine as a hero when he decides to sacrifice himself by flying the vessel directly into the Death Star-like battering ram, but is pushed out of the way by Rose who delivers a cringe-worthy line of “saving what we love.” This moment will forever solidify Rose as the worst Star Wars character and steals Finn’s moment of glory. His sacrifice would have given Finn a solid character arc from a cowardly First Order deserter to being a heroic figure who gave his life to save others. Rose’s idiotic choice could have resulted in the First Order wiping out the Resistance and she will always be remembered as the character that managed to be worse than Jar Jar Binks.

Poe v Holdo – Dawn of the SJW

Poe Dameron is an exceptionally skilled pilot that planned a calculated attack on the First Order Dreadnought and though his plan to destroy the Dreadnought resulted in numerous Resistance casualties, Poe is successful at destroying the Dreadnought, but is immediately demoted by General Organa (Leia) and command is given to Vice Admiral Holdo (Purple Haired SJW). Poe knew the risks of war and deemed it necessary at the moment to destroy the Dreadnought and had he not acted on his gut instinct, the Resistance would have been completely obliterated. Instead, he is treated like he’s a bumbling idiot and Holdo refused to even notify Poe of the plan with the escape pods. It honestly feels as if this film has an SJW/Feminist agenda that strongly attempts to make the male characters (Poe, Hux, Kylo Ren, etc.) as nothing but idiots and elevates the women to a level of superiority. Politics will always have a place in the Star Wars franchise (the Prequels were built upon a politically driven foundation), but not in this shape or form. Even though Poe’s plan of destroying the Dreadnought was successful and allowed for the Resistance to escape, he is seen as unhinged and acting out of line by Holdo, never once acknowledging Poe for his heroic action of practically saving the Resistance. Poe is denied the opportunity of being the heroic figure, but it was perfectly acceptable for Holdo to sacrifice herself by flying the Resistance cruiser through Snoke’s ship. Holdo did nothing memorable to deserve a heroic sacrifice and it’s absolutely disgraceful that Poe’s character is painted as this unhinged, reckless pilot who is made out to be an idiot for his actions. Poe deserved a much better character progression in this film. As for Holdo, she was placed in this film for the sake of having a woman be in charge for no apparent reason other than to drive the fact that the man (Poe) is an “idiot” and the woman (Holdo) is the “superior, intelligent figure.”

Snoke – In The End, It Doesn’t Matter

Supreme Leader Snoke was set up to be the mastermind pulling the strings of the First Order and the next main villain after Palpatine. He is portrayed as a mysterious, disfigured individual who’s strong with the Force and swayed Ben Solo to the Dark Side. In The Last Jedi, he is seen dressed in golden robes in a red throne room and his royal Praetorian Guards protecting him. He displays a tremendous amount of strength in the Force by conjuring Force lighting directly into the ground and sending Kylo Ren flying back and suspending Rey in the air in an intensely painful Force grip. He even was able to merge the minds of Kylo Ren and Rey together across the galaxy using the Force. He was set up to be this figure who’s just as powerful and intimidating as Palpatine. But alas, Snoke is immediately discarded in the film and dies in a very unsatisfying manner. Who he is, where he came from and how he rose to power no longer matter: He’s just an extremely powerful and disfigured individual with no provided background information. Snoke decides it’s smart to place Luke’s lightsaber on the throne’s arm rest and continues to taunt and insult Kylo Ren with Rey on the floor. He orders Kylo Ren to kill Rey and gloats that he knows what Kylo Ren is thinking. However, Kylo Ren slowly moves Luke’s lightsaber towards Snoke with the Force (How Snoke or none of the Praetorian Guards notice is beyond comprehension). He then ignites the lightsaber, which impales Snoke and is then cut in half, the top half of his body tumbling to the floor. His death also puts the numerous fan theories to death. Snoke no longer matters.

Kylo Ren – Still Throwing Tantrums

One of the best aspects of the film is not Luke Skywalker: it’s Kylo Ren. Right off from the start, Kylo Ren is insulted and scolded by Snoke, which causes Kylo Ren to leave the throne room and smash his mask into pieces. Kylo Ren is still shown to struggle with the Dark Side and when the opportunity comes to blow up the command bridge Leia is on, he hesitates and decides against killing his own mother. Kylo Ren seemed to solidify his status as a villain in The Force Awakens when he killed Han Solo and in this film, he questions his own intentions and through his Force communication with Rey, the idea that Kylo Ren could be redeemed is brought into question. It’s a very interesting idea seeing Kylo Ren possibly turning back to the Light Side. The team-up between Rey and Kylo Ren was also another well-done idea that showed Rey realizing that she could possibly bring Kylo Ren back to the Light. Rey decides to see Kylo Ren in an attempt to turn him away from the Dark Side, then it’s revealed that Snoke manipulated the Force between them to lure Rey to him. After Kylo Ren kills Snoke with Luke’s lightsaber, Rey and Kylo Ren team up with each other and take on the Praetorian Guards in one of the greatest combat sequences in all of Star Wars. Kylo Ren is able to easily defeat many of the Praetorian Guards and when it seems that Kylo Ren will turn away from the Dark Side, he asks Rey to join him by his side. Disillusioned by the fact that Kylo Ren just wanted to overthrow Snoke and assume leadership of the First Order, Rey and Kylo Ren engage in battle and destroy Luke’s lightsaber in the process. The idea of establishing Kylo Ren as the main villain of the Sequel Trilogy is quite intriguing and allows for more room to develop Kylo Ren into the ultimate villain, though it came at the cost of killing off Snoke. Overall, Kylo Ren is a very solid character with a more defined vision of being the leader of the First Order.

Leia Organa-Skywalker – I’m Mary Poppins, Y’all!

Sadly, this film marks Carrie Fisher’s final film appearance due to her death in late 2016. It was great to see more Leia in this film, though her role is largely downplayed and does not get a moment to shine like Luke and Han. Leia has been shown in past films to be Force-sensitive, but the way this film portrays her Force abilities is beyond terrible. After the command ship’s bridge is blown up, Leia gets sucked out into the vacuum of space and is assumed to be dead. However, she opens her eyes and is shown to have actually survived. She reaches out her hand and proceeds to literally fly towards the main Resistance cruiser that makes her Mary Poppins in space. We all knew Leia was Force-sensitive, but the way her Force abilities were portrayed was executed horribly. No one talks about or brings up Leia surviving while in space and Leia herself doesn’t even speak about it at all for the remainder of the film. She is hospitalized on the ship and command is then given not to Poe, but to Vice Admiral Purple Hair. Prior to her Mary Poppins moment, Leia berates Poe for his successful plan in destroying the Dreadnought and demotes him on the spot. Why is Leia so upset over Poe’s plan? Poe knew the risks in launching the attack and his plan resulted in the destruction of the Dreadnought and possibly killed thousands of First Order members. Leia and Holdo seemed to just team up on Poe, labeling him an idiot for launching a successful attack. Despite these issues, Leia should have been the one to fly the cruiser directly through Snoke’s flagship, it would have been the honorable way to send off Leia, allowing her to have a truly shining moment. Her Mary Poppins Force moment absolutely defies how the Force works. With the death of Carrie Fisher, her final performance as Leia ends on a quite dim note and she deserved a much better send-off.

Luke Skywalker – This Isn’t The Jedi You’re Looking For

After the cliffhanger of Rey handing Luke his blue lightsaber on Ahch-To, the fan base was eager with joy on what direction the story will go with the reveal of Luke Skywalker. Luke holds his original lightsaber and has a look of mixed emotions, then the unexpected happens: Luke throws the lightsaber over his shoulder and storms off. What should have been an epic moment in Star Wars history was turned into a moment for a cheap laugh. I take this scene as a metaphor for The Last Jedi: J.J. Abrams handing over The Force Awakens to Rian Johnson, who proceeds to throw out just about everything established in The Force Awakens for the sake of being “different” just because. Though I praise Mark Hamill’s epic performance as Luke Skywalker and honestly love Luke’s portrayal, the direction they placed for Luke was severely underwhelming. Luke reveals he traveled to Ahch-To for the sole purpose of wanting to die, which goes against what Han said about him seeking out the first Jedi Temple. So what was the point of the map in the previous film if he didn’t want to be found? Then in a flashback, he actually considered killing his own nephew at night by creepily sneaking into his hut and probing his mind, then discovers a lot of darkness and corruption by Snoke. So instead of confronting his nephew during the day, he considers killing him in his sleep? This is the same Luke that sensed the good in his father Darth Vader and personally went on a mission to bring his father back to the Light, of which he ultimately succeeds. Yet, because he probed Ben Solo’s mind and saw darkness, Luke deemed it necessary to just flat-out murder his nephew? This felt extremely out of character for Luke to even consider doing such a thing. This is also the same Luke that went out of his way to save the Rebellion, fought alongside the Rebellion, and played a major role in the Empire’s defeat. Then in this Sequel Trilogy, he gives up and lives in isolation after the massacre of his Jedi Academy, doesn’t seem to care at all about the rising threat of the First Order, and shuts himself off from the Force. Later in the movie, he has a change of heart and appears on Crait, walking directly towards the army of AT-M6s, AT-ATs, and AT-STs. He and Kylo Ren duel, though Luke doesn’t swing his lightsaber once and simply dodges all of Kylo Ren’s hits. Kylo Ren impales and slices Luke, but nothing happens and in a “twist”, Luke is revealed to be Force projecting himself and did not leave Ahch-To at all. He fades away from the battle, leaving behind a furious Kylo Ren. At the end of the film, Luke stumbles over on the rocks he was sitting on and looks out into the horizon, sees two suns (reminiscent of A New Hope) and dies, becoming one with the Force. Though I praise the idea of using a Force projection, it does a great disservice to Luke Skywalker’s character and undermines his character’s growth from the Original Trilogy. Luke should have physically appeared on Crait and demonstrated his vast strength in the Force by easily destroying the artillery and engaging in a fierce duel with Kylo Ren, but ultimately loses and is struck down by his nephew. That would have given tremendous emotional depth to Luke and be a showcase on how far along Luke has grown with the Force.

Other Bad Moments In The Last Jedi

Like all Star Wars films, The Last Jedi features a lot of flaws and some very questionable moments that don’t do this movie any justice:
- Humor has a place in Star Wars, but not to the point of distorting the tone of the film, making it seem like a Marvel film (ex. Poe trolling Hux at the beginning of the film was cringe-worthy and feels out-of-place).
- General Hux was honestly a sinister figure in The Force Awakens. He is turned into a complete incompetent fool in this film and is oblivious to the fact he’s being prank called by Poe.
- Captain Phasma was again underutilized and despite putting up a strong fight against Finn, she is quickly killed off. What was the point of bringing back Phasma?
- Canto Bight killed the pacing of the film and resulted in no beneficial pay-off to the movie’s overall plot.
- Rose preaches about the rich being bad people for selling weapons to the First Order and feels the need to preach about the abuse the race animals face, yet offers no sympathy at all to the slave children.
- The final scene featuring the young slave child using the Force to pull the broom gives the idea that anyone can use the Force with no training whatsoever.
- Luke doesn’t seem to react at all when he learns of Han Solo’s death.
- No Knights of Ren in this film, not even a mention or any clue as to their whereabouts.

Other Great Moments In The Last Jedi

Despite the numerous issues that plague this film, The Last Jedi features a lot of great moments that truly shine:
- The opening scene and subsequent assault on the Dreadnought was very action-packed and felt like a true Star Wars film
- The final battle on Crait, though highly reminiscent of the Battle of Hoth, was phenomenal and the idea of using a Death Star-like battering ram was well-executed.
- Snoke’s throne room battle between the Praetorian Guards against Rey and Kylo Ren is honestly one of the greatest battles in all of Star Wars. It was well-choreographed, tense, and demonstrated how powerful a team Rey and Kylo Ren make.
- Finn and Captain Phasma’s battle was spectacular and seeing Phasma deflect a blaster shot with her armor was amazing.
- Rey and Kylo Ren’s Force communication added much needed development to both characters and added a layer of depth to their own motivations.
- Luke’s interactions with Rey were well-done, especially when Rey literally reaches her hand out to the Force, Luke plays along and brushes a leaf against her hand.
- Chewbacca feasting on a Porg and a group of Porgs look at him with fear in their eyes.
- Luke seeing R2-D2 on board the Millennium Falcon and R2-D2 plays the original message by Leia.
- Yoda’s appearance as a Force ghost and knocking some sense into Luke.
- Holdo flying the Resistance cruiser through hyperspace at Snoke’s flagship, resulting in the destruction of numerous First Order ships.
- Luke confronting the First Order on Crait, of which Kylo Ren orders them to fire at Luke with all their artillery. Luke walks out of the smoke undamaged and dusts his shoulder off.

Closing Comments

Despite the film having moments of greatness scattered throughout its runtime, The Last Jedi is heavy on flaws that are magnified as the film progresses. The film seems to take the quote “Let the past die, kill it if you have to” to heart and literally kills the history of what’s came before, especially The Force Awakens. Just about everything established in The Force Awakens is simply swept under the rug. The end of the film places the Resistance back to the same state the Rebellion was at in A New Hope. Why is this new trilogy just simply repeating the past? Though Rian Johnson is a fantastic director, he simply does not work for Star Wars and proves with The Last Jedi he has no understanding of how Star Wars works, especially with regards to the Force. The Force is treated more like a superpower that anyone can attain with no training required. The Last Jedi is far from being the worst Star Wars film, but is still far from being the best. J.J. Abrams is slated to return to the franchise to direct Episode IX and will attempt to fix the mess that Rian Johnson left behind with this new trilogy. Help us, J.J. Abrams. You’re our only hope.

Rating: 6/10
Completely obliterates established Star Wars lore.

The writers of this film have no respect for Star Wars nor do they have an imaginative bone in their body. I felt like I was watching a shonen jump anime with the overuse of comic relief and usually placed in the most awkward moments. It was a desperate attempt to copy Marvel movie writers and failing miserably. The way they presented Luke Skywalker was an abomination and the story of the film was just plain boring and didn't make sense in so many places that listing it here would be so long that it would put you to sleep. I had to watch the film in 3 sittings it was so bad. Disney has now properly fucked Star Wars.
The last jedi is clearly the last SW movie I`ll ever see. Everything was bad. Story, casting, acting, CGI, everything.. I just want my 2 hours back.. please..
"Not the best but certainly the most overhyped"

As the Rebellion tries to evade The First Order, Rey asks Luke Skywalker to teach her the ways of the Force. Meanwhile Kylo Ren is still a whiny POS.

Director/writer Rian Johnson faced a gargantuan task. Two years ago J.J. Abrams did the impossible by making a successful sequel to ‘Star Wars’. Johnson had to follow that up with something more creative because let’s be honest, ‘The Force Awakens’ (TFA) was a copy. He succeeds partially.

When the movie started there were cheers. It doesn’t get any better than the iconic opening crawl with John Williams’ score. Although there’s a certain resemblance to ‘The Empire Strikes Back’ (opening scene, Luke on the remote planet) ‘The last Jedi’ isn’t a copy. Johnson has came up with a more or less original story with new characters and some twists.
However, the problem with some of the new characters is that they get too much screen time while contributing nothing to the story. In some cases up to the point where they’re just plain annoying. Benicio Del Toro anyone? Meanwhile we find out nothing new about the characters we got to know in ‘TFA’. Rey, Finn & Dameron still feel new.

The villains are another problem. The most iconic part about ‘Star Wars’ has always been the villains. Darth Vader is an icon. Emperor Palpatine and Darth Maul were also quite impressive. Without spoiling anything I think it’s safe to say Kylo Ren (who’s still suffering from huge mommy and daddy issues), Supreme Leader Snoke & General Hux are terribly underwhelming.

That of course doesn’t mean it’s a bad movie. Although it runs too long it entertains. The effects and choreography are top notch and the overall look of the film is stunning. DOP Steve Yedlin does a fine job. The final battle looks amazing ( the red stripes on the salt plains). Although there’s a bit too much humor for our liking, there’s some genuine funny moments. The Porgs have a bright future ahead of them marketingwise.
Of course there’s the nostalgia factor. It’s great to see those familiar faces again and the sound of lightsabres and TIE fighters are music to our ears.

On the other hand it’s obvious Johnson and Disney want to go down a new path. Whether that path is the right one remains to be seen. With the announcement of a new trilogy coming up it feels like they’re milking it. And you can take that literally. What’s up with that milk scene? Cringeworthy.

The biggest problem is that ‘The Last Jedi’ is incredibly hyped. There are reviews that say the movie is dark and that it’s the best since ‘The Empire Strikes Back’. I know opinions can differ but it doesn’t come close to any of the original trilogy.
This one killed the franchise! I have been watching Star Wars movies since they started literally, going to the theater and enjoying the fun. Love the original three. Liked the prequels well enough. I even enjoyed the cute little Ewok movies, with the kids.

These later films have been a mixed bag. Most were watchable enough, though not really the caliber of the old films Sure, the effects are great, but a good movie needs more than special effects and cool alien makeup and some fun droids.

This movie was seriously disappointing. Everything about familiar characters was changed, and the plot was so busy with pushing some weird agenda that it failed to deliver any of what we go to a Star Wars movie to see. At this stage, I couldn't care less about the newer characters, and the whole "Mary Sue" aspect to the one main girl (see, I can't even recall her name!) is just annoying. This film w bad enough that the dedicated SW fanboy in my household just quit watching, and actualy, for the first time ever, skipped the following movie entirely.

So, congrats, Disney; you killed one of the most successful franchises ever.
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Finally, I managed to watch one of my most anticipated movies of 2017! I am an authentic fanboy of the Star Wars saga and I loved its return two years ago when The Force Awakens was released. Everything looked better, sounded better and the story certainly didn't disappoint me. So, obviously, I was extremely looking forward to The Last Jedi.

Apparently, critics love Episode VIII but fans not so much. Me, well ... I don't LOVE it, but I do enjoy it very much. I do think it is a bit below the previous film's overall quality since it definitely has some issues the first one did not. I am also confident that I know why the fans are not loving this movie and I will explain that after a few paragraphs.

This time, I am going to start at the other side of the spectrum. I will begin my review with the film's problems because I do need to get them out of my mind, especially this one ... The subplot involving Finn (John Boyega), Rose (Kelly Marie Tran) and DJ (Benicio Del Toro), some of the few new characters added to the franchise, completely ruins the movie's pacing and its narrative is such a tremendous deviation from the main story. It is, by far, the worst issue I have with the screenplay because it does not work as one single problem ... It creates a whole other set of them.

The first act's pacing is really fast since it starts with tons of action sequences. However, the second act decreases the rhythm and it is more story-driven, full of mystery-unlocking and character-development scenes. Finn and Rose's nonsense adventure just turns everything slower and even strange. It ends up needlessly extending the runtime (the film could have easily been 15min shorter) and worse ... Possibly creating a love triangle with Rey (I am not even going to discuss this).

Apart from this major issue(s), I have some minor problems. General Hux (Domhnall Gleeson) is a strong candidate to become the most annoying character in this new-generation trilogy. Gleeson is fine, he actually achieves a good over-the-top performance, but his character is just tumbling off the rails. Also, on a more technical aspect, the writing does not flow as well as it did on J.J. Abrams' screenplay. There are a lot more exposition scenes which also does not help the pacing at all.

I wrote earlier about the fans' reasons for them to be disappointed and well, the marketing for the movie did not lie: they do take a lot of chances with this one. Rian Johnson delivers a lot of twists and shocks throughout the whole runtime and it is impossible to assume that every single one of them is going to be mind-blowing and unanimously accepted. I do not want to give anything away from the plot, so I am just going to write that most of the choices and paths they choose for each character, I either simply accept them or I truly love them. As for the rest, I am, at most, underwhelmed (yet, I trust and understand the decisions they went with).

People need to learn how to deal with their own expectations. If you expect something utterly absurd and nonsensical to occur and then it does not, you can't blame the film for not following your crazy idea. So, please, don't start blabbing any movie is bad or disappointing because it didn't fulfill your ridiculously high expectations. Even if they are grounded and thoughtful, you have to embrace the production's approach to the character/story. If it makes sense, then it is as valid as any other theory. It might be underwhelming if you have high expectations, but it is still a serious take on whatever you are thinking.

This is why I think fans are not loving The Last Jedi. The production takes a lot of risks and some of them don't work with everyone, mostly due to fans' radical theories that don't have a place in the film. I think most people might change their initial opinion after a second viewing, myself included. Some things just need more time to process or even a whole rewatch. Since I do not have time to do it before the year's end, I am going with what I have.

Switching to the light side (hehe), I do enjoy this movie a lot. Every cast member that was great in Episode VII, transcends themselves in this one. Daisy Ridley is superb as Rey. She has such a massive range of expressions and I am sure her successful future as an actress is surely guaranteed. From the most emotional and somber moments to the most epic action scenes, she is awesome. Her character's mysterious backstory reaches a whole new extent and her interactions with Kylo Ren (Adam Driver) and Luke Skywalker inflict chills all over my body.

Mark Hamill's comeback can't be any more amazing than it is. He delivers a fantastic, emotion-full and very compelling performance. It is even more unbelievable knowing that Hamill had strong personal arguments against the director's interpretation of what was better for Luke. If he is this astounding working against his own idea of who his character really is, then I must praise his exemplary working principles.

Luke and Rey spend a big chunk of the runtime training on an unknown island and I love every single second filmed on that piece of land. I have to admit that I am a bit frustrated because I think the film should have more time with these two, but due to the issues mentioned in the beginning of my review, the runtime can't be much more stretched. I love what they did with Luke, even if some fans are going to go insane with his journey.

Adam Driver as Kylo Ren ... The undoubtful star of the whole show. Driver is becoming a menace to every actor working today because he is flawless. He has a powerful, dark, mysterious, compelling and commanding display as one of the most complex and multi-layered characters of the Star Wars saga. Ren's conflict inside his mind and heart is the most captivating feature of his story and his interactions with Rey are so jaw-dropping spectacular that I can't even describe them properly.

John Boyega is once again great as Finn, even though he is part of that horrible subplot. Boyega delivers a convincing performance and Finn shines through some awesome action set pieces. Kelly Marie Tran is actually good as Rose, it is just a pity that her character suffers from the narrative, even though her backstory is pretty touching. Chewbacca (Joonas Suotamo) and the Porgs, the new cute animals implemented in the Star Wars universe, have all the funny scenes plus some action here and there.

Oscar Isaac is quite lucky because Poe Dameron unquestionably has the best subplot of the movie. Isaac offers a very passionate display as Poe goes through some significant character development. His impulsive instincts to attack the bad guys always have consequences and he is put in check by Leia (Carrie Fisher) during the whole time. It is a very interesting and twistful story that elevates the film's main plot.

Carrie Fisher is elegant and beautiful as Leia, a character that has a lot more screentime than what I expected. I always love seeing Fisher on the screen and she makes everything a bit more realistic to me. Andy Serkis is remarkable as Supreme Leader Snoke, but his character is yet another plot's detail that fans are not going to appreciate so much. I still feel underwhelmed by Snoke in this movie for several reasons, but after some thinking, I do understand his role in the film and his moments are indeed intimidating and dominant.

Rian Johnson work as the director is better than him as the writer. The visuals effects continue to be wonderful and the practical settings are beautiful, once again, there is a lot less CGI than you probably think. Excellent cinematography and the John Williams' score induces enormous levels of nostalgia and excitement. The action sequences are mind-blowing, the stunt work is phenomenal and there are tons of pure epic and awesome scenes.

The main plot includes a very dark and mysterious side to it that I thoroughly love. A lot of unexpected twists and turns make The Last Jedi more original than The Force Awakens, even if one or two plot points might be underwhelming, and it also has a very well balanced tone. Finally, a thrilling, breathtaking, action-heavy third act ends the film with magnificent glory and with many heartfelt moments.

All in all, Star Wars: The Last Jedi delivers something that I can be proud of experiencing. Terrific performances from the cast, but a flawlessly powerful display from Adam Driver as Kylo Ren steals the spotlight. Rian Johnson takes a lot of risks with decisions that will make the fanbase debate for years and while I find most of them truly jaw-dropping, a few left me underwhelmed. The main story keeps its obscure mystery while packing some jaw-dropping, epic action sequences and excellent character-development scenes. Nevertheless, it departs from JJ’s visual storytelling, delivering a more exposition-heavy screenplay and some pacing issues bring the movie down, largely due to the unnecessary detour of the subplot involving Finn and Rose. In the end, it still belongs to my top half of the saga, fighting for the 4th spot with Return Of The Jedi and Rogue One.

Rating: B+

[Watch] You Were Never Really Here Movie on Netflix 2018


[Watch] You Were Never Really Here Movie on Netflix 2018









You Were Never Really Here 2018-blues-jacqueline-keoghan-2018-ahmed-You Were Never Really Here-indiewire.com-movie-download-DVDrip-chappaquiddick-burstyn-dean-2018-truth-You Were Never Really Here-ruth-Full Movie HD-depicting-finley-genetic-2018-han-You Were Never Really Here-separate-harkins-2018-untertitel-middle-kazan-bumblebee-2018-soap-You Were Never Really Here-november-WEB-DL-tim-player-mumblegore-2018-killers-You Were Never Really Here-waterhouse-FULL Movie in English.jpg



[Watch] You Were Never Really Here Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2018




Movieteam

Coordination art Department : Lucius Pont

Stunt coordinator : Ménil Nizar

Script layout :Sharice Noor

Pictures : Noir Luken
Co-Produzent : Lioret Blaize

Executive producer : Tisdale Yesenia

Director of supervisory art : Andrew Urfé

Produce : Hanga Assayas

Manufacturer : Ameila Cyanne

Actress : Teresa Emeka



A traumatised veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.

6.6
1405






Movie Title

You Were Never Really Here

Time

155 minutes

Release

2018-01-04

Quality

MPG 1080p
DVDScr

Category

Thriller, Drama

language

English

castname

Braun
B.
Olaedo, Dilanas P. Anushka, Flore Y. Warisha





[HD] [Watch] You Were Never Really Here Movie on Netflix 2018



Film kurz

Spent : $835,520,733

Income : $903,007,750

Categorie : Horror - Betroffene Ethik , Erzählung - Preis , Isolation - Liebesfilm , Himmel - Weihnachten

Production Country : Mazedonien

Production : Fiji Producoes



The way this movie was hyped up in the press about it being the Next ‘Taxi Driver’obviously raised my expectations and Phoenix being the Antihero ah-la Travis Brickle .

Well, did I get letdown like a disappointed kid at Xmas when he didn’t get what he expected.

If Phoenix won best actor at the Sundance Festival for his performance in this film.

Then I’m decidedly in the wrong profession. He had a one dimensional character, very dark and not much else to him.

The hammer being the ‘DIY’ tool of choice , which you never actually see it nailing anything.

And there’s no real curiosity or imagination attached to the extent of him using the ‘hammer’.

If you haven’t seen ‘The Professional’
With Natalie Portman and Luc Besson and Gary Oldman as a real lunatic cop.
Then do yourself a favor and rather watch it.

I was largely disappointed in this film and it doesn’t live up to anything it’s primed to.

Not Memorable.
I did not feel as positively about _You Were Never Really Here_ as most people seem to have, but I **do** absolutely recommend it. One of Jaoquin Phoenix's best roles, and that is about as far from small praise as it gets.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

[Watch] The Monkey King 2 Movie on Netflix 2016

[Watch] The Monkey King 2 Movie on Netflix 2016 The Monkey King 2 2016-sci-fi-miracle-valentina-2016-sidney-The Monkey King 2-violence-elle-...