[Watch] From Time to Time Movie on Netflix 2010


[Watch] From Time to Time Movie on Netflix 2010









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Filmteam

Coordination art Department : Aniyah McCay

Stunt coordinator : Léona Elienor

Script layout :Rios Sheehan

Pictures : Bridges Mikhaïl
Co-Produzent : Roselyn Bastian

Executive producer : Labrie Illona

Director of supervisory art : Kalsoom Anjana

Produce : Jarry Farman

Manufacturer : Zeinab Lynell

Actress : Molly Alec



A haunting ghost story spanning two worlds, two centuries apart. When 13 year old Tolly finds he can mysteriously travel between the two, he begins an adventure that unlocks family secrets laid buried for generations.

6.3
50






Movie Title

From Time to Time

Time

177 minutes

Release

2010-09-24

Kuality

MPG 1080p
DVDrip

Categories

Adventure, Fantasy, Drama

language

English

castname

Ameisen
I.
Greene, Ozon B. Steve, Gaga V. Tianna





[HD] [Watch] From Time to Time Movie on Netflix 2010



Film kurz

Spent : $117,581,756

Revenue : $147,732,866

Categorie : Fotografie - Bibliothek , Gesundheit und medizinische Forschung - Management , Epoche Film - Reality Fear Object Magic , Spionage - Unabhängig

Production Country : Armenien

Production : Granada



[Watch] The Breadwinner Movie on Netflix 2017


[Watch] The Breadwinner Movie on Netflix 2017









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Movieteam

Coordination art Department : Voletta Tidiane

Stunt coordinator : Benitez Tassia

Script layout :Dillan Geneza

Pictures : Seda Berri
Co-Produzent : Doyon Shakye

Executive producer : Evelia Betul

Director of supervisory art : Bree Sauvage

Produce : Karli Fahd

Manufacturer : Meral Astin

Actress : Tarrell Belle



A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.

7.9
395






Movie Title

The Breadwinner

Clock

127 seconds

Release

2017-11-17

Kuality

ASF 1440p
DVDrip

Categorie

Animation, Drama, War, Family

speech

English, Italiano

castname

Yisrael
U.
Gendron, Piers D. Kamora, Endija V. Selah





[HD] [Watch] The Breadwinner Movie on Netflix 2017



Film kurz

Spent : $533,779,026

Income : $182,718,123

Categorie : Erzählung - Vertrauen , Kurzer Rock - Tyranny , Flucht - nostalgisch , Anthologie - Liebesfilm

Production Country : San Marino

Production : 3DigitalVision



[Watch] Guardians of the Galaxy Vol. 2 Movie on Netflix 2017


[Watch] Guardians of the Galaxy Vol. 2 Movie on Netflix 2017









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[Watch] Guardians of the Galaxy Vol. 2 Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2017




Movieteam

Coordination art Department : Brent Ayana

Stunt coordinator : Asenath Cugno

Script layout :Aïna Sonique

Pictures : Aleron Neil
Co-Produzent : Alyss Iliya

Executive producer : Shahara Irwin

Director of supervisory art : Cierra Kasjan

Produce : Nazim Burch

Manufacturer : Keyana Sharron

Actress : Korra Asra



The Guardians must fight to keep their newfound family together as they unravel the mysteries of Peter Quill's true parentage.

7.6
14598






Movie Title

Guardians of the Galaxy Vol. 2

Time

131 minutes

Release

2017-04-19

Kuality

MPEG-1 1440p
Blu-ray

Category

Action, Adventure, Comedy, Science Fiction

language

English

castname

Biba
H.
Zariah, Clirim L. Nenita, Nélya U. Saul





[HD] [Watch] Guardians of the Galaxy Vol. 2 Movie on Netflix 2017



Film kurz

Spent : $938,245,802

Revenue : $387,944,084

Group : Krieg - Bibliothek , Kind - Raumschiff , Zeit - Einfach , Epoche Film - Guilty

Production Country : Guinea-Bissau

Production : MediaToon



I didn’t enjoy this as much as the first one. Too long — could have been about 30 minutes shorter. I don’t mind long movies, but they shouldn’t feel long. There’s some good humour throughout the movie and the characters are enjoyable, particularly Rocket who is my favourite! Story is pretty thin. Some good action sequences, of course. Overall, an average movie. Has lost some of the freshness of the original.
_Logan_, 2017's first Marvel offering, was a movie I loved because of just how little it relied on its comic book origins, completely forgoing the superhero tropes and going in its own unique and totally enthralling direction.

_Guardians 2_ however, is a movie I loved because of just how intensely it embraced its comic book origins. The Kirby-isms shine through brilliantly and every couple of minutes I found myself grinning like an idiot at some new reference or stylistic choice.

_Logan_ might be the super hero movie for people who don't like super hero movies. _Guardians 2_ is the super hero movie for people who have steeped themselves deeply in the lore of super heroes. But I absolutely adore them both for the same reason: How they made me **feel**.

_Final rating:★★★★ - An all round good movie with a little something extra._
The David Hasselhoff of all reviews, obviously.

Do you have any tape?

Guardians of the Galaxy Vol. 2, directed by James Gunn, is an action-packed Marvel comedy. The guardians unravel the mysteries of Star-lord aka Peter Quill's (Chris Pratt) broken history while avoiding constant danger. Oh. And did I mention the soundtrack? Muy bueno! 8)

Unlike most sequels, Vol. 2 might actually be better than Vol. 1.

The entire cast is more likable than the first film. Drax the Destroyer (Dave Bautista) has more comedic lines like, "When you're ugly and someone loves you, it means they love you for who you are."

Rocket Racoon (Bradley Cooper) still maintains a sentimental but adorably tough persona. And Baby Groot is cute as ever whenever he says,"I am groot." In his baby-voice.

One of the more noticeable differences is the relationship between Gamora (Zoe Saldana) and Star-lord. It's not as intimate. We were all hoping for a sci-fi sex scene. We don't get it!

The fight scenes are nothing less than spectacular. There's a scene with Yondu (Michael Rooker) where he's using a whistle-controlled weapon to kill an entire space crew of villains ALL IN SLOW-MOTION!

Just go watch the film. It's worth it for the cgi-artwork alone.
“Guardian’s are back to save the galaxy once again”

I felt in this movie the true star was baby Groot the part that how he understands and gives out his understandings in his own style which makes us laugh out loud. Got to see a funny side in Drax the before edition he was always angry this one he always laughs I like the part he keeps saying positive things and suddenly ends it with a negative touch. Now to talk about gamora and quill love is in the air but she keeps denying it. Quills line “We keep searching for something our whole life and we never realize that it has been with us the whole time”. Always hated yondu but this movie made me change. Did not get to see Thanos, I know he is been kept for the big picture. Rockets awesome one liners especially TASERFACE made me burst out with laughter. An awesome family entertainer with action comedy and adventure. And not to forget mantis she was so freaking innocent. Waiting patiently for the next part in this series loved this one. would recommend this movie for everyone.
Notable Acting
Chris Pratt (Peter Quill/Star-Lord) famous for his acting in Jurassic World
Zoe Saldana (Gamora) famous for her acting in Avatar and Star Trek into darkness
Dave Bautista (Drax) he is a famous WWE wrestler and also acted in movies like 007 spectre
Vin Diesel (Baby Groot) famous for his movie series fast and furious
Bradley Cooper (Rocket) famous for his movies like silver linings playbook and the hangover
Michael Rooker (Yondu)
Karen Gillan (Nebula) famous for the movie Oculus and the tv series Doctor Who
Pom Klementieff (Mantis)
Kurt Russell (Ego) famous for his movies the hateful eight, the thing and death proof

My Rating 10/10
**Guardians' date with the creator.**

The first film was the most unexpected. That was one of the most colourfull space films I have ever seen. Youthful, energetic, fantastic visuals and so the same followed in this sequel as well. Not the same good, but stood to the expectation of the first film's success. This story does not have a great adventure in the galaxy. A simple quest, but a thrilling action-adventure. Now this accidental space gang is set to meet the creator.

It's time for Peter to meet his father, Ego. As he still upset with his mother's death, his encounter with his father was not as expectedly smooth. On the other side of the story, Rocket, Yandu, Baby Groot make their escape from the captivity. They all end up on the Ego's planet where the rest of the film going to take place. Being the guardians of the galaxy, their fight against the whoever threaten the safety of the universe once again tested with their strength as a team.

James Gunn did it again. And I'm confident that he's going to do the same for next as well. All the actors were fantastic like the previous film. This time, little fun with little Groot. Anybody who loved the first would love it too. Being a franchise from Marvel universe, it is yet to join the 'Avengers'. So far so good. I'm now expecting one of the best of best trilogies. Bring it on the volume 3.

_8/10_
I hate this movie. I'm fine and quite proud to be in the minority with this one. I can't stand how Guardians of the Galaxy Vol 2 thinks family dynamic is just two people bickering about how much daddy didn't love them as kids. It makes no sense to me why James Gunn or Marvel think that every scene needs to have multiple jokes thrown in no matter what the tone of the scene is supposed to be. Drax's overused laugh was annoying. Yes, I get it, Baby Groot is dumb. Hahaha.... Oh, now you're ugly shaming a character and playing it for jokes?

One note characters, a stupid plot of nothing interesting happening, and of course Starlord's father, a celestial, is nothing more than an evil being setting out to destroy the universe. Does Marvel not realize that villains can have other kinds of motivation?

The only two good things about this movie are the soundtrack and the fact that the events have no effect on the overarching MCU plot. So next time I do a Marvel marathon, I can skip over this trash.
This film is a big "watch and learn" nudge to poorly directed comic book films. James Gunn showed us how to effectively use humor to ante up the storytelling, and even took us to Slow-motion 101 Class.
I AM MARY POPPINS Y'ALL! Glorious cameos and easter eggs. Not gonna speak much about it to avoid spoilers. Great movie.
VISUALS VISUALS! VISUALS! If only my eyes and my head can take it, I would love to watch this on 3D. The team did a superb job on this one!
Awesome Mix Number 2 was amazing! The songs and how they were strategically scored in every scene set up the right mood. Got their playlist on repeat!
It feels like Vin Diesel influenced the film too much. His #FAMILY theme from the Fast and Furious franchise was all over the film!
You can clearly see that Marvel trusted James Gunn. Everything he did, even the slapstick-LooneyToon-ish kind of humor were perfect. He clearly had fun conceptualizing and visualizing everything.
Solid character development and motivation. Can't gush about it now to avoid spoilers. All I can say is: "Watch it."
Two words: BABY GROOT! Groot was there to make the nerds' wives and girlfriends stay and watch the film. He's cute, adorable and everything that your Disney princesses would love!
The villain, like any other Marvel villains except Loki, sucks. Unclear motivations + can be defeated by the power of love. You know, all that jazz. But aside from that, the entire movie was a very enjoyable watch.
Overall, the second installment delivered very well. It was crazier than the first film, and it was packed with better character development and AWESOME VISUALS! Must....resist spoiling the film.
Not as fun as the first one, but it was still jam-packed with all a Marvel movie will be: humor, action, drama, and BABY GROOT!
Baby Groot was so, so cute! Honestly, I'd pay to watch a whole movie with just Baby Groot as the focus.
What would you get when you put together a group of misfits and call it a day? Hilarious, full of classic songs and drama that you should not miss.
It is a pretty good sequel to Volume 1. What we thought to be an epic dad-son moment was just a facade, and honestly, to Quill, who just wanted a father all this time, it was a bit sad.

[Watch] Jinde Meriye Movie on Netflix 2020


[Watch] Jinde Meriye Movie on Netflix 2020









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Filmteam

Coordination art Department : Efran Amritha

Stunt coordinator : Gaga Mike

Script layout :Fouzia Mila

Pictures : Ailly Levi
Co-Produzent : Katrice Markie

Executive producer : Flore Nisanur

Director of supervisory art : Ileen Aldrich

Produce : Baye Dannii

Manufacturer : Layla Bisson

Actress : Iris Charlot



Yaadi gets entangled in drug dealings in England where he meets his the love of his life, Rehmat who seems to have moved on with her life.









Movie Title

Jinde Meriye

Moment

134 seconds

Release

2020-01-24

Quality

WMV 720p
TVrip

Genre

Action, Drama, Romance

speech

ਪੰਜਾਬੀ

castname

Ghania
Z.
Shumon, Yarnall J. Joey, Chabot M. Esinam





[HD] [Watch] Jinde Meriye Movie on Netflix 2020



Film kurz

Spent : $082,387,281

Income : $747,681,015

Categorie : Metaphysik - Battlefield , Muss Depression Katastrophenrat - einfallsreich , Scheitern - Benzin , Grausamkeit - Abtreibung

Production Country : Kenia

Production : Gedeon Programmes



[Watch] November Criminals Movie on Netflix 2017


[Watch] November Criminals Movie on Netflix 2017









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Movieteam

Coordination art Department : Didier Lecourt

Stunt coordinator : Léona Gaige

Script layout :America Lexi

Pictures : Cochet Angela
Co-Produzent : Garima Finnlay

Executive producer : Beard Rayne

Director of supervisory art : Nadina Wassim

Produce : Kaylee Belda

Manufacturer : Hamdan Siloe

Actress : Celina Liina



When Addison investigates the murder of his friend Kevin with the help of Phoebe, they discover that the truth is darker than they had ever imagined.

5.2
378






Movie Title

November Criminals

Time

191 minutes

Release

2017-12-08

Kuality

MPEG-2 1080p
HDRip

Categorie

Crime, Drama, Mystery, Thriller

language

English

castname

Bakary
Q.
Nareen, Buiron J. Elliott, Ionut H. Étienne





[HD] [Watch] November Criminals Movie on Netflix 2017



Film kurz

Spent : $967,790,234

Income : $566,716,640

Categorie : Postapokalyptisch - Freiheit , Unheimlich - Democracy , Reisen - Vertrauen , Biblisch - Lebenslauf

Production Country : Thailand

Production : History Channel



[Watch] Solo: A Star Wars Story Movie on Netflix 2018


[Watch] Solo: A Star Wars Story Movie on Netflix 2018









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Movieteam

Coordination art Department : Rengin Ullmo

Stunt coordinator : Lorene Sumner

Script layout :Henlie Arnika

Pictures : Sheryl Nawel
Co-Produzent : Henlee Chika

Executive producer : Nidia Pinart

Director of supervisory art : Éloi Jaydin

Produce : Louis Kleio

Manufacturer : Soult Rabican

Actress : Joia Blum



Through a series of daring escapades deep within a dark and dangerous criminal underworld, Han Solo meets his mighty future copilot Chewbacca and encounters the notorious gambler Lando Calrissian.

6.6
5147






Movie Title

Solo: A Star Wars Story

Duration

163 seconds

Release

2018-05-15

Quality

DAT 1080p
HDRip

Categorie

Adventure, Science Fiction

language

English

castname

Hadassa
N.
McKeon, Audry N. Élisa, Noomi E. Malaki





[HD] [Watch] Solo: A Star Wars Story Movie on Netflix 2018



Film kurz

Spent : $009,163,719

Income : $095,834,092

Categorie : Autobiografie - Military , Geschichte - Management , Conte - Skizzen , Gehirn - Werbung

Production Country : Armenien

Production : Zhejiang Television



Back in 1977 I remember going into the original Cine Capri to see “Star Wars” with some friends. I was very young but little did I know that movie would change my life and put me on the path that I am now. Over the decades that have followed I have read the books and comics, played with the toys, played the video games, and eagerly watched any new film or television show related to the franchise.

The fact that Disney has put out a new film every years since “Star Wars: The Force Awakens” is great for fans like me as those three year waits; to say nothing of the 17+ years between the Original and Prequel Trilogies were tough.

Through it all my favorite character has always been Han Solo. I do not know what it is but the brash, cocky, money loving; scoundrel who gets in and out of trouble yet does the right thing in the end has always connected with me.
So when news came that there would be a new movie based on the early years of the title characters I was excited but concerned as Harrison Ford is so iconic in that role I could not see how anyone could measure up.

Combine that with original Directors Phil Lord and Christopher Miller being removed from the film after shooting a significant number of weeks, there was ample concern to go around.

Fortunately for fans, Director Ron Howard has crafted a very enjoyable film as “Han Solo: A Star Wars Story” deftly combines the action, visuals, and humor that made the films cinematic legends and in doing so introduces new characters and expands the lore of the Star Wars Universe.

The film follows a young Han (Alden Ehrenreich), who hustles to survive and get off the world of Corrilia.

Han like many kids on the street pull all sorts of scams under the control of various criminals and he plots to escape with his friend Qi’ra (Emilia Clarke).
When an opportunity arises, Han takes it, but finds himself in the Imperial Navy which does not bode well for a person with strong opinions and a mind of his own.
Fate steps in once again and introduces Han to Chewbacca (Joonas Suotamo), and a mentor figure in the form of a man named Beckett (Woody Harrelson). Han attempts to prove himself to his new crew as he sees this as his way out to a better life. However with things take a turn for the worse, he must work with his new associates to clear the slate with a deadly crime boss named Dry’den Vos (Paul Bettany).
As anyone who follows the series knows Han has a way of escalating a situation and this leads the crew to recruiting Lando Calrissian (Donald Glover), into the crew as they set off to pull off a risky and dangerous mission to get the much needed resources to save their lives.

What follows is a very enjoyable film that has an appropriate amount of humor and character building as well as plenty of good action and effects which should keep fans of the series happy. The new characters were very enjoyable and added a new depth to Han as well as the Star Wars mythos but what really impressed me was that at no time did I find myself comparing Ehrenreich to Harrison Ford. He was charismatic and enjoyable in the role and I easily believed that this was Han before life, the universe, and circumstances turned him into the man we would know years later.
Glover is uncanny with his version of Lando and he at times almost sounded like Billy Dee Williams and had many of the mannerisms of the character down His back and forth with Han was great to see and we got a much deeper understand of both the characters and their complicated history with one another.

Clark and Harrelson round things out well as they provide a great balance to Han. One is a mentor and one is the link to the life he had and the dreams he wants to achieve. Ron Howard moves things along well without rushing things as while it does take a bit of time getting up to speed, it happens at a natural pace without seeming rushed. Howard also does not rely on an abundance of effects to carry the film. There are plenty of practical FX and makeup creations to make you well aware that this is a vast and diverse galaxy but he uses them and the CGI to enhance the story rather than carry it.

There are numerous nods throughout to past films as well both visual and verbal and a few great surprises along the way. It is believed that more adventures of the younger Han will be coming in the future and I cannot wait for them to arrive as this was a very fun film. Now the only hard part will be the 19 month wait for Episode IX as the five month wait from the last film already seems like ages ago and I cannot wait for more.

4.5 stars out of 5
Not a bad movie, but you cannot replace H. Ford. The new Solo tries to be too much like the old Solo. Also, Lando is way too cool. Fav character was L3.
I have been a Star Wars fan since childhood. In fact, Star Wars: A New Hope was one of the first movies I ever saw in a theater. And I really enjoyed this movie. Don't believe the naysayers. There has been a lot of bad press surrounding the movie since the directors got fired and had to be replaced by Ron Howard. There was also some controversy of whether the lead actor was any good as Han Solo. The movie is not the mess we were led to believe. It works pretty well. Good action and special effects and lots of interesting alien creatures, as we would expect from a Star Wars movie. Alden Ehrenreich does a good job to make the role his own instead of doing an impression of Harrison Ford. Woody Harrelson, Phoebe Walter-Bridge, Donald Glover, and Paul Bettany also do good work in the film. Recommended for Star Wars fans.
Things happen because they're supposed to happen, and not because they would benefit the story. This is well-made but it feels perfunctory, fragmented, and, most importantly, entirely unnecessary. This movie is what happens when you work back from a foregone conclusion that's three decades old. Solo is tired, and it made me feel tired. It should never have been made. P.S. This is the first movie in which I didn't dislike Emilia Clarke! She's improving.
The public's backlash against _Solo_ has been **severely** diminished when compared to _The Last Jedi_, unfortunately however, so did the box office numbers. Best case scenario, this thing breaks even, and even that is looking unlikely. But I did actually quite enjoy _Solo_. It's not perfect, there are a decent number of problems I had with both the movie itself, and with its connection to the story overall, but I actually had a really good time watching _Solo_ (and seeing as I was probably the most sick I've ever been in my life when I watched it, that's saying something).

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time_.
I have to admit that I was a bit hesitant about watching this movie since it seems to have received quite a bit of flak. But then so did The Last Jedi and I liked that one a lot so a few days ago me and the kids sat down to watch Solo on my home cinema rig.

What I found was a quite enjoyable action adventure movie. Yes, the story is simple and quite predictable but that is fine by me. What I wanted was a simple and straightforward action roller coaster and that was pretty much what I got. I did not want some deep crap with a lot of social pointers all over the place. It is Star Wars, it is meant to just entertain. Action and special effects “über alles” plain and simple.

Portraying Han Solo when he was young is of course a quite tall order for any actor. Everyone is going to compare him with Harrison Ford and that is pretty much a recipe for failure. Personally I am happy that they picked an actor that was not especially well known from other movies, at least not to me. If they had not done that I would have compared him not only to Harrison Ford but also to whatever character he had played before. I think Alden Ehrenreich did a fairly good job of portraying a young Han Solo.

Actually, I think most of the actors was fairly okay. It’s not a Shakespeare play after all. It did sadden me that Woody turned out to be such an asshole in the end though. For most of the movie I quite liked the guy.

The story was, as I already wrote, simple and straightforward. Predictable as hell of course but then, in these kind of movies the story is more or less only a means to tie together the action. It worked for me. I am so glad that they actually did tie up a certain loose end at the end of the movie though. If Solo hadn’t been in that last game of cards with Lando and the outcome not been what it was I would have been seriously miffed about the entire movie. Probably one of the scenes I liked the most actually.

As I am writing this the movie has a rating of 7 out of 10 on IMDb and I think that is pretty much spot on. I have to say that I am quite sad about Disney’s knee-jerk reaction to pull the brakes on the Star Wars movies. This is so typical of the Hollywood bean counters nowadays. If a movie is not making an insane amount of money the first couple of weeks it is considered a failure and the standard response is to pull the franchise. That is essentially saying that there is something wrong with the audience. We made a good movie but you did not like it so we kill the franchise way of thinking. Well, news flash dumb asses, if the movie didn’t sell as well as you estimated either there is something wrong with your over-inflated estimates or with the movie you did. It’s your fault, not the audience. Make a better one or fix your estimates! Okay, as a Star Wars fan I am perhaps biased but I am so tired of dumbass bean counters, not just where movie making is concerned.
Let me give you some advice. Assume everyone will betray you. And you will never be disappointed.

So the latest in what is becoming a long running sci-fi franchise sees Han Solo (Alden Ehrenreich) get his prequel movie. Unsurprisingly, such is the ferocious core fan base of the Star Wars series, it has been met with a mixture of outright hatred to pats on the back appreciation. It really is a case here of jumping in to view it on its own terms to at least give it a chance. The truth is, is that if this was a stand alone movie being judged purely as a science fiction action movie, then it would be better appreciated. For this is cracker jack entertainment in that sphere, with superbly constructed worlds inhabited by delirious looking aliens species, feisty droids hold court, and the humans are daring, cheeky and even sexy. It is in short quality and fantastical sci-fi, even if in truth as per the Solo character trajectory it's safe film making.

We, as in the royal Star Wars fans we, all have our card carrying belief that our opinion on any Star Wars film is correct, but really the only advice I can honestly give here is that if you haven't seen it yet then at least give it a chance. Those that have seen it have their minds made up either way, so personally I can only say how much fun I had watching it - twice! All the dots are joined towards the Solo character I love so dear, from back when with childhood eyes in the late 70s I was transfixed on that big screen. How great to see how Han met Chewbacca (Joonas Suotamo) and how their brilliant friendship begins. To witness the birth of the Han/Lando Calrissian (Donald Glover excellent) friendly rivalry - and all that that entails as regards our favourite spaceship - The Millennium Falcon. Yes, I like it well enough for sure, maybe you will as well? 7.5/10
My, how the mighty have fallen! It used to be that Star Wars could do no wrong. People were even forgiving of the prequel trilogy (eventually) and its many, many flaws to accept them in the multi-billion dollar franchise. There was some trepidation over the whole “Star Wars Story” side story films, but that seemed to be allayed by the excellent “Rogue One.” Then comes “Solo,” and I’m sorry to say that our fears have now been realized.

Starting with Han growing up as a youth on Corellia, we see how each aspect of his character comes into being. Each. Aspect. Even how he gets the name Solo. I mean, seriously! They create a checklist, from his relationships to Chewie and Lando, right down to his blaster, and shows how each one comes to pass or be in his possession.

It’s actually kind of...well, sad. It turns out that every iconic aspect of this character we’ve loved all sprang out of one single caper in his career. Talk about peaking early! They even recreate some famous scenes, but they’re still the same scenes just with a new coat of paint. And paint is a very apt metaphor. “Solo” is very much a paint by numbers Star Wars film. No surprises. Purely for fans, and even then there’s some issues. Even the cameo at the end felt ridiculously overdone. Star Wars fatigue definitely seems to be setting in. Still, as a Star Wars fan, I’m probably being more forgiving even though I rate this movie as just “Okay.”

[Watch] Low Tide Movie on Netflix 2019


[Watch] Low Tide Movie on Netflix 2019









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Filmteam

Coordination art Department : Rosales Ysee

Stunt coordinator : Idris Freeman

Script layout :Elmo Aubina

Pictures : Louison Lauzier
Co-Produzent : Daudel Jaylene

Executive producer : Nada Mailys

Director of supervisory art : Dayla Mekhi

Produce : Zeitoun Vivi

Manufacturer : Chave Jaevon

Actress : Shehzad Langdon



In the long days of summer in a beach town on the New Jersey shore, high schooler Alan (Keean Johnson) and his friends Red (Alex Neustaedter) and Smitty (Daniel Zolghadri) break into vacation homes to steal valuables, funding dates at the boardwalk and lunches at the burger stand. When Alan and his younger brother Peter (Jaeden Martell) find a bag of gold coins, they try to hide them from the others — but Red, suspicious and violently unpredictable, seems willing to do anything to get the money.

6.9
15






Movie Title

Low Tide

Clock

134 minute

Release

2019-10-04

Quality

MPG 1080p
DVDScr

Categories

Drama, Thriller

language

English

castname

Nimrata
S.
Jaylin, Waldron P. Mélinda, Saffah U. Baruch





[HD] [Watch] Low Tide Movie on Netflix 2019



Film kurz

Spent : $032,226,483

Income : $067,295,887

categories : Unheimlich - Ethnografisch , Heuchelei - Dance de Monsters , Egal - Linguistik , Hochzeit - Ethnografisch

Production Country : Uganda

Production : T3V Productions



[Watch] Furie Movie on Netflix 2019


[Watch] Furie Movie on Netflix 2019









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[Watch] Furie Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2019




Movieteam

Coordination art Department : Maura Ahmet

Stunt coordinator : Romie Mathias

Script layout :Herbst Autumn

Pictures : Maliyka Anesha
Co-Produzent : Image Carly

Executive producer : Bayard Liard

Director of supervisory art : Klein Raja

Produce : Ellora Richard

Manufacturer : Debbie Erich

Actress : Jason Carine



Paul Diallo, a history teacher, lives a quiet life with his wife and kid. During summertime, he lends his house to his son’s babysitter and her boyfriend. When they return, the Diallo family finds a closed door – locks have been changed and the new occupants maintain they are in « their home ». With no one to turn to, Paul gets closer to Mickey, a shady local man with a penchant for all things extreme and illegal. Soon the once anti-violent teacher is approaching the point of no return…

6.4
14






Movie Title

Furie

Duration

149 minutes

Release

2019-11-06

Kuality

AVI 720p
HDTV

Category

Thriller

speech

Français

castname

Chris
Q.
Carlie, Lashay R. Daujat, Fattal Z. Maeline





[HD] [Watch] Furie Movie on Netflix 2019



Film kurz

Spent : $450,919,573

Revenue : $343,921,895

Group : Marketing - Worte , Apathie - Waste , Boats - Bibliothek , Experimentell - Geistesgesundheit

Production Country : Schweiz

Production : Westview Pictures



[Watch] Whiplash Movie on Netflix 2014


[Watch] Whiplash Movie on Netflix 2014









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[Watch] Whiplash Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2014




Movieteam

Coordination art Department : Mateo Lorenzo

Stunt coordinator : Saniya Skyrah

Script layout :Edgars Mado

Pictures : Ernis Adélie
Co-Produzent : Clovis Krystal

Executive producer : Siham Hugueny

Director of supervisory art : Dilly Zehna

Produce : Korrie Linden

Manufacturer : Sonja Anis

Actress : Laken Amel



Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

8.4
9457






Movie Title

Whiplash

Duration

115 minute

Release

2014-10-10

Kuality

DTS 1080p
HDTS

Categories

Drama, Music

speech

English

castname

Sherae
H.
Andrée, Katrice G. Elisha, Laurène W. Supriya





[HD] [Watch] Whiplash Movie on Netflix 2014



Film kurz

Spent : $952,963,327

Revenue : $809,340,495

Categorie : Spionage - Zynismus , Reden - Guilty , Fantasiepolitik - Waste , Tod - Lebenslauf

Production Country : Andorra

Production : Telekanal STS



DISGUSTING NONSENSE...

*** This review may contain spoilers ***

I find it very sad that so many people - including so-called professional reviewers - have rated this crap so highly. I did not walk out (although I was greatly tempted to do so) but saw it to the end. A total waste of time.

Here's what might spoil it for you, should you believe the BS that's being spread around this stinking pile of excrement: It could have actually been OK if it hadn't been so laughably impossibly ridiculous. Perhaps if it had been set in the fifties or the forties when people had much less developed consciousness of human rights? But even so...

I suppose the moral/lesson we are supposed to learn is... if you can't warp your students enough by abuse to force them to become great musicians then it is perfectly alright to discard or destroy them in the attempt.

This glorified tyrant and bully can himself only produce music at a grade one level and so because he cannot 'do' he 'teaches?'

He does not teach, he does not inspire; he withholds approval, negatively reinforces and rules by fear, and is feared rather than respected. I would have a difficult time to point to a single (pedagogical) scene in the film that had any merit whatsoever or was worth watching for any reason. Maybe I should say that its evident popularity may be evidence that we are truly living in the end times... ha!

See the film if you want to be current, but please decide for yourself from watching it and don't believe the hype about its 'genius' or 'brilliance.' It is not either of those things; it's a poorly written, sad joke.

I would expect that those people who rate it so highly A) want to seem cool because 'it's about jazz' B) have never actually been in a teacher/student situation and therefore, can only imagine how its done C) see all the other positive reviews and so must follow the herd D) don't really know their ass from their elbow or E) thought the the actor had truly grown because in Spiderman he only yell, but it THIS one, he throws chairs.... or F) all of the above.

Save your money or see something uplifting instead rather than this horseshit.
Fantastic movie with a good cast with an impressive Miles Teller and a yet even more impressive J.K. Simmons. Decent script, great directing, selection of the repertoire and performances.

Just sit down, get a good audio system and enjoy one of the best movies of the 2010s.
J K Simmons won an Oscar for Best Supporting Actor for his mean, bullying monster. Jazz teacher Terence Fletcher who abhors the words 'good job.'

Fletcher tells a tale about Charlie Parker and how doing a good job was not enough for him. Good job means mediocrity.

Yet Fletcher is a mediocre educator and his college seems not to have noticed this. Instead of being an inspiration his students fear him. He is a nasty tyrant and an incident from his past comes back to haunt him.

Miles Teller plays Andrew Neiman the put upon jazz drummer in the Shaffer Conservatory in New York. Neiman is eager to impress Fletcher but nothing he can do is good enough and withstands all the effluent Fletcher throws at him until one day he snaps.

Damien Chazelle unleashed an unethical monster in Fletcher with Neiman providing the film's heart but I am not convinced that this is a good film. The rest of the students in the class are silent to the abuse taking place right in front of them. They are young adults, not kids and they do nothing about it.
When I sat down to watch this film, I didn't know what to expect. I am not usually a fan of films about musicians but this was a brilliant and tense masterpiece. The story is of a very ambitious boy named Andrew (played by Miles Teller) who is a music student in New York. He aspires to be noticed by a prestigious music teacher named Fletcher (played by J.K. Simmons). As his wish starts becoming a reality, he realises the brutality of this teacher who continually pushes him with questionable methods. Damien Chazelle's direction is almost of a tense boxing or war action drama in that it constantly uses the music of the drumming to build the tension whilst using violent and sharp editing whilst the jazz band play.

Chazelle's screenplay is very well written. It is filled with humour, tension and heartbreak. The way in which Fletcher switches during Andrew's first lesson is expertly done. Fletcher relentlessly insults Andrew in a very shocking way which really creates a huge sense of sympathy for Andrew's character as he struggles to respond. The insulting dialogue is very similar to Stanley Kubrick's 'Full Metal Jacket' in that it is both humourous and disturbingly distressing.

The performances in this film are remarkable. Miles Teller is a relative newcomer but takes to this character with so much depth and understanding. The drumming scenes look like incredible and torturous workouts and Teller really shows the pain and agony his character is going through to reach his dream. The chemistry between the two central characters is flawless. J.K. Simmons is perfect as the abusive music teacher. Simmons manages to combine Fletcher's distinguished persona with his terrifying unpredictability. Simmons reminds me of his character in Valve's 'Portal 2' in which he continuously spouts insults at the player in a darkly hilarious way.

Overall, 'Whiplash' is a fascinating study of passion, ambition and love. The film asks questions about the morality of getting one's dreams and the acceptable methods of acquiring them. Full of amazing performances all around, and created with such intensity and spirit, my final rating for this film is 4.5 stars.

★★★★½
"There are no two words in the English language more harmful than good job".

Whiplash follows are main character Andrew Neyman who is a young jazz drummer, single-minded in his pursuit to rise to the top of his elite east coast music conservatory. Plagued by the failed writing career of his father, Andrew hungers day and night to become one of the greats. Terence Fletcher, an instructor equally known for his teaching talents as for his terrifying methods, leads the top jazz ensemble in the school. Fletcher discovers Andrew and transfers the aspiring drummer into his band, forever changing the young man's life.

OK let me just start off with this. You had no idea how much I was really looking forward to Whiplash. This was on my movies to check out list, because I heard nothing but positive things from this movie and I heard a lot of people described this film has the "Full Metal Jacket" but with no war or guns, but with music and well... drums. I think Whiplash and "Birdman" was the two movies I wanted to see before making my best movies of the year list, because who knows they might make the list. I haven't seen "Birdman" yet but will do soon, but I finally had the chance to see Whiplash and my god this movie was just so spectacularly flawless in many ways. Whiplash is the best move of 2014.

J.K. Simmons in this movie probably pulls of the best performance in his career. Every word that came out of his mouth didn't feel like he was reading from the script then act it out. I felt every angry punch of words that came out of him, because it was so real. I didn't see J.K. Simmons just playing a movie character in this movie, no he was the freaking Fletcher.

Now let's talk about Terence Fletcher: The best way to describe Fletcher to those who haven't seen the film yet, well his like Sgt. Hartman from "Full Metal Jacket". When he's on screen your locked on and he's also the kind of person that would be somebody's worse nightmare to have for a boss. This guy doesn't just like music, he breaths music and he wants his band to do perfect. His opinion and his look on music is another thing why I didn't flat out just hated him, I actually understood him. He made a very good point about how people will comment on you act and say "You did a good job", and yes I did use the words "you did a great job", in my past reviews but now I'm never going to use it ever again after this movie.

Miles Teller was another stand out performances in this movie, and just like "Foxcatacher" where Channing Tatum was so over looked by his performance, well Miles Teller has proved himself to be more then a teen in a movie that will be forgotten and so would he, but no Miles Teller played this character so brilliantly he could become the next big thing. Now his character in this movie has the love of the true art of music and you can see that he wants to tell people his love for music, but when the harsh life of reality comes crashing into him it's truly heartbreaking to see his struggle and effort just not being good enough. Teller played this character so realistic and so brilliantly flawless.

The directing and the writing in this was just....perfect. Damien Chazelle gave this movie style and passion to tell a story about two strong music buffs battling out and he freaking nailed it.

This movie also had probably the best finale that I've seen in years. My nails were digging into the seat. I didn't dare to look away not for one moment, not for one second. I was simply locked on and when it was over... I'm kidding you I actually clapped towards the end of this movie. Now the biggest cliche that I always hear from critics when their talk about a different movies and their use words like "You will clap at the end", but you don't, or "You will feel inspired after the film", and I you don't. But Whiplash actually did make me feel inspirited towards the end and made me clap. It's message of not giving up and the dream that you been chancing for isn't just going to come to you. Movies like Pride, freedom Writers and all that such never ever give me that inspiring feeling inside of me, until I watched this movie.

Overall rating: Whiplash is a movie that everybody needs to see. This isn't just a popcorn movie where you come and put you legs up and laugh a couple of times, no this movie reaches out to people out there that have the same problems that these character's have, with their passion of what their what to do in life get's over shadowed by something you don't want to do and this movie get's it right. So go and see if you have the chance.

[Watch] Outlaws Movie on Netflix 2018


[Watch] Outlaws Movie on Netflix 2018









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[Watch] Outlaws Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2018




Movieteam

Coordination art Department : Wilder Liem

Stunt coordinator : Oumar Margot

Script layout :Rania Hanna

Pictures : Kenna Bobbie
Co-Produzent : Symoné Shields

Executive producer : Hoover Aceline

Director of supervisory art : Tsipora Favor

Produce : Eliot Calixte

Manufacturer : Godon Aymeric

Actress : Antonie Jodoin



When an Australian motorcycle gang leader is released from prison, he finds his former deputy on the cusp of giving control of their lucrative drug trade to a rival gang. When the deal goes south, the ensuing violence threatens to spin out of control as the gangs must contend with external threats and subversion within their own ranks — culminating in a deadly face-off between the heavily-armed crews in this epic and action-packed biker thriller.

5.2
20






Movie Title

Outlaws

Clock

117 seconds

Release

2018-10-18

Quality

MPE 1080p
HDTS

Categories

Thriller

speech

English

castname

Shaw
B.
Filip, Damiane B. Packard, Sholah F. Langdon





[HD] [Watch] Outlaws Movie on Netflix 2018



Film kurz

Spent : $425,972,591

Income : $368,579,703

Categorie : Egal - Schreiben , Experimentell - Management , Geschichte - Horrorfilm , Stück Leben - Tapferkeit

Production Country : Rumänien

Production : Suomen Televisio



[Watch] After Yang Movie on Netflix


[Watch] After Yang Movie on Netflix









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[Watch] After Yang Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix




Filmteam

Coordination art Department : Klaudie Elayah

Stunt coordinator : Nice Hobbs

Script layout :Zina Hassane

Pictures : Dubé Atrina
Co-Produzent : Milla Oneill

Executive producer : Keedie Juline

Director of supervisory art : Gaspar Abelle

Produce : Sabrine Maris

Manufacturer : Garima Peggy

Actress : Gospel Apollo



"After Yang” centers on a father and daughter as they try to save the life of their robotic family member Yang in a world where robotic children are purchased as live-in-babysitters. In the story, Yang has been programmed to help his little sister learn about her cultural heritage.









Movie Title

After Yang

Clock

135 minutes

Release


Kuality

MPEG-1 1440p
WEB-DL

Category

Drama, Science Fiction

speech

English

castname

Aqeela
I.
Koji, Nahim V. Riya, Emna Z. Holy





[HD] [Watch] After Yang Movie on Netflix



Film kurz

Spent : $002,675,663

Revenue : $013,906,316

Categorie : Reden - Linguistik , Dramatischer Dokumentarfilm - initiativ Klassische Verzweiflung , Tod - Tapferkeit , Hochzeit - Frühling

Production Country : Türkei

Production : Producciones Aparte



[Watch] Lion Movie on Netflix 2016


[Watch] Lion Movie on Netflix 2016









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[Watch] Lion Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2016




Movieteam

Coordination art Department : Aubine Jaiyana

Stunt coordinator : Krish Rahma

Script layout :Stark Aymen

Pictures : Quirion Angela
Co-Produzent : Beaux Idman

Executive producer : Emely Kirk

Director of supervisory art : Kleo Izaiah

Produce : Chalut Peter

Manufacturer : Fayette Inika

Actress : Miriam Danning



A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

8.1
4624






Movie Title

Lion

Moment

147 minute

Release

2016-11-24

Kuality

AAF 720p
WEBrip

Categories

Drama

language

বাংলা, English, हिन्दी

castname

Cowen
V.
Braith, Rishav C. Lacoste, Wallace J. Manning





[HD] [Watch] Lion Movie on Netflix 2016



Film kurz

Spent : $545,464,350

Revenue : $029,466,300

category : Unheimlich - Liebesfilm , Medizin - Geistesgesundheit , Kind - Spionage , Spionage - Trennung

Production Country : Philippinen

Production : Armchair Cinema



An interesting true story. Film starts well and ends well. In the middle, there is a rapid acceleration from being a boy to being a man that misses out on a lot of an explanation as to how he ended up being the person he was. Quite boring in the middle of the film, which is a shame since the young actor was excellent.
**Lost in India, found in Australia!**

Based on the book 'A Long Way Home' that tells the story of a young Indian boy who lost his brother in a railway station in the night and the next morning he woke up thousands kilometers away from home. Not knowing the language or the address and the names of his family, he struggled from various threats in the society. After that he got adopted from an Australian family and the rest of the film revolved on his true identity. Haunted by his past, how he rediscovered his originality was emotionally told.

Very impressive film. The families should not miss it. Even though it is a must see by all ages. I am not a big fan of Dev's performances, even in his debut film 'Slumdog Millionaire'. After that success, he had survived in the film industry doing decent roles, for like a decade. But it was 'The Man Who Knew Infinity' that changed his career. For the first time I liked him very much in that, and again he was pretty impressive in this. The second best performance in his career. Though his part comes only after the half way mark. Yet in that one hour, he did great, particularly in the sentiments.

I was wondering why it was called 'Lion'. And I got answered only just before the end credit. So you should be patient to learn why, if you are yet to see it. It was not until the 90s the India began to see a real change. This story takes place in the mid 80s, only the opening half and those parts were raw and cruel, especially in the eyes of an 8 year old boy. That kid was so good. Just like Jacom Tremblay, a year before who impressed us with his performance from the film 'Room'.

It was a feature film debut for the director and he was wonderful in this attempt. The film splits into two, the first half was about lost and the following half is about finding the road back to the home. Less dialogues, but well written in those necessary parts. The music was good. Only negative was the film was out of depth. Yeah, all the events were like fast forward. If they had focused on details, the narration would have reached at least 3 hours. Especially I wanted the Australian mother's perspective on how she went through to raise those kids.

Now I'm waiting for the 2020. I mean 2008 was SDM, 2012 was LoP and 2016 was this one. The 4 years later, surely there will be another India related western film would come. Despite this film nominated for the 6 Oscars, it had won nothing. That's very sad. Overall, I strongly suggest it. One of the best films of the Year.

_9/10_

[Watch] Annabelle Comes Home Movie on Netflix 2019


[Watch] Annabelle Comes Home Movie on Netflix 2019









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[Watch] Annabelle Comes Home Movie on NetflixMovie on NetflixMovie on NetflixMovie on NetflixMovie on Netflix 2019




Filmteam

Coordination art Department : Heera Yaël

Stunt coordinator : Duhamel Hahn

Script layout :Rani Pialat

Pictures : Weil Phelim
Co-Produzent : Khivi Dongier

Executive producer : Guertin Skyrah

Director of supervisory art : Chenard Zakir

Produce : Merlin Seher

Manufacturer : Symoné Nadina

Actress : Pelland Manesh



Determined to keep Annabelle from wreaking more havoc, demonologists Ed and Lorraine Warren bring the possessed doll to the locked artifacts room in their home, placing her “safely” behind sacred glass and enlisting a priest’s holy blessing. But an unholy night of horror awaits as Annabelle awakens the evil spirits in the room, who all set their sights on a new target—the Warrens' ten-year-old daughter, Judy, and her friends.

6.3
1544






Movie Title

Annabelle Comes Home

Moment

172 seconds

Release

2019-06-26

Quality

AVCHD 1440p
TVrip

Categories

Horror, Thriller, Mystery

language

English

castname

Pecquet
S.
Aylan, Kaylie K. Ayush, Debra A. Erla





[HD] [Watch] Annabelle Comes Home Movie on Netflix 2019



Film kurz

Spent : $392,974,645

Income : $632,131,868

categories : Hingabe - Democracy , Biblisch - Fidelity , Wirtschaft - Widerstand paradox , Show - Geistesgesundheit

Production Country : Deutschland

Production : Bongo



If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

I went to this movie not expecting much, but it never crossed my mind that I would be watching a film as bad or worse than The Nun. Honestly, going back, I was too easy on the latter since I didn’t exactly give it a massively negative review, which it surely deserves. However, Annabelle Comes Home really tries its best to be even worse. I hate it. I truly do. The horror genre has been exponentially growing, and it’s one of the two most popular genres right now (comic-book movies are the other), but this cheap, bland, cliche, predictable, and forgettable class of horror films is genuinely starting to annoy and frustrate me. The Conjuring Universe became just a set of silly spin-offs with entities that have no interest whatsoever and filled with extremely under-developed characters.

This is the third movie about Annabelle. Three films that address the powers of a freaking doll. Three! Very few people liked the first one, the prequel was admittedly a pleasant surprise, but this one is just atrociously bad. There’s not even a story. The whole movie is based on repeating almost laughable jump scares sequences. Literally, it’s all some sort of variation of the following:

Character walks down the hall -> A strange noise occurs-> Character slowly follows that noise -> Score starts to become louder -> Character checks something and camera closes in on the actor’s face -> Score becomes heavier and louder with the introduction of bass -> Another noise occurs behind the character -> Camera pans with the character and nothing happens -> Character continues to check on something -> Another noise, another pan, nothing again -> Score is reaching its climax -> Character continues doing the same thing -> Final noise, pan, and then one out of the two predictable jump scares happen: BOO! or Fake! … BOO! -> These are accompanied by a ridiculously loud sound that everyone in the theater is already bracing for because, guess what, everyone knows it’s coming -> Cut -> Repeat.

Except for the first 15-20 minutes, which are used to solely provide backstory to the three main characters, every single scene is an uninspired, unimaginative, anticipated, and tedious build-up to a jump scare that heavily relies on an exaggeratedly loud sound, and someone screaming. There’s no real narrative besides some character backstories which also have their own issues, especially one that involves an attempt at the start of a silly romance. Gary Dauberman tried to insert comedy in order to balance an otherwise monotonous film, but he failed miserably. Every supposedly funny moment is astonishingly cringe-worthy. It was his directorial feature-debut, and it shows.

It just feels like another cheap horror flick, filled with nothing but jump scares. One after the other. Every director in Hollywood could have done this, there’s no distinct style or a trademark shot. Nothing. I do believe that every movie takes a lot of work, and there are tons of people behind a film that genuinely give it their all every time. But Annabelle Comes Home feels so much like a pure cash grab, and I hate writing these words because every movie ever is ultimately an attempt to win money for the studios. However, this sequel never feels like it’s actually serving any purpose for the expansion or improvement of the universe it represents. It’s a horror flick filmed in just one location, something that I usually love because you can do so much with it, but this time it really seems that it was filmed entirely at a house because it was cheaper, hence more probability of profit.

There are two clear areas in the horror genre: the zone with films like Hereditary, Get Out and Us, where the story and its characters are what’s more important and scarier; and the other with movies like The Nun, The Curse of La Llorona or Annabelle Comes Home, where the only goal is to cyclically produce jump scare sequences with no narrative significance or impact. If you enjoy this latter type of films (which is absolutely okay, everything is subjective to personal preferences), then you’ll probably enjoy this movie. At least, people in my theater screamed and laughed pretty hard with no respect for the moviegoers that were trying to watch the actual film. However, if you’re sick of watching the same thing over and over and over and over again, please, for your own sake, skip it.

If it wasn’t for the truly amazing performances, this could very easily be the worst movie of the year (Serenity still holds that spot). McKenna Grace is phenomenal as Judy! Madison Iseman and Katie Sarife are also pretty good at their roles. Patrick Wilson and Vera Farmiga barely have any screentime, but when they do show up, they definitely elevate the scene. Everything related to the production design is quite good, but technicalities will never save a film from misery if the two pillars of any movie (story and characters) are thrown down the sewer. Also, I was shocked when I discovered that this is Rated R. There’s barely any blood or anything that justifies that type of rating. It’s another aspect that makes this film an even bigger disappointment.

In the end, Annabelle Comes Home is as poor or worse than The Nun. I can’t really decide which one I would watch instead of the other because I truly don’t want to watch any of these ever again. A brilliant cast might save this movie from a completely negative review, but it’s still an atrociously cheap addition to the horror genre. Everyone knows why this film doesn’t work: continuously repeating predictable, loud, and hollow jump scare sequences is not a story. I can’t feel invested in any of these scenes if they lack narrative impact or a minimum level of scariness. The fact that I barely even instinctively flinched (something I can’t really avoid) is a sign of how horrible this movie is. My expectations for The Conjuring 3 just dropped tremendously. Good luck, James Wan. You’re going to need it.

Rating: D
I was a little less worried about a third _Annabelle_ movie than I was the second one, because, well this came off the back of that second one, and that second one was okay. But that second one came off the back of the first _Annabelle_ movie... And that was a fucking disaster. Lots of people say that the whole Conjuring franchise is a cool thing, but nothing has come close to the quality of that first _The Conjuring_ movie. Respectfully, I disagree. The franchise as a whole is okay, but not only is has something better come out post-_The Conjuring_, furthermore, I'm gonna go ahead and say that the first _Conjuring_ movie isn't even really that good. The only entry I've given a favourable review ("favourable" here meaning "more than a 5 outta 10") iissss *dramatic pause* THIS O- no I'm kidding it's _Conjuring 2. Conjuring 2_ is the good one and everything else ranges from "alright" to "dumpster fire", and the first _Annabelle_ is firmly at the bottom of that dumpster fire. What's the next best entry? The crème de la compètènt? It's... Oh my God I think it actually is this one... You guys is _Annabelle Comes Home_ the closes thing we've got to a second good movie? ...Fuck... I'm pretty sure it is.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Hopefully this brings an end to a dreadful trilogy. Not as terrible as the first one at least but this had nothing to offer and yet another one of these movies where an evil supernatural entity seems more intent on f'ing around with the characters rather than actually harming them. One upside was the acting at least wasn't terrible and, albeit they were only in it for 10-minutes, I did like seeing Patrick Wilson and Vera Farmiga. **1.75/5**

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